“Seth material” search engine (Jane Roberts)

Yet these people were coming to Ruburt because of his psychic work, and his psychically inspired writing. Eleanor, he discovered, was anything but his idealized concept of a literary editor. This was a shock. From the time Eleanor came she spoke with the words of Ruburt’s past, glowingly presenting the possibility of purely literary success, prestige, and cash.

Yet for the entire time he began to wonder, regardless, about his position at Prentice. Was he being taken for a fool? Should he have changed to another publisher? But this meant in his case: should he try to exclusively be the literary person again? Yet he found that these people wanted his psychic work most of all. And that while they appreciated his other work, his main value in their eyes lay precisely in the field that he thought would mean nothing to them.

Dialogues represented a synthesis of literary and psychic endeavor. It also allowed Ruburt necessary emotional expression. Tim Foote represented literary recognition, yet he wrote to Ruburt to ask his psychic opinion on another psychic writer.