“Seth material” search engine (Jane Roberts)

Eleanor (Friede) represented a different kind of framework, in which business was business, while art was respected, and where after all matters of great money might be involved. Ruburt was rather proud of handling his own business affairs. Eleanor also represented on another level the establishment, the rich, literary, “in” crowd, and the great youthful specialized ideas of literary success.

The Seagull, while free, was not all that free. It is no coincidence that Tam is younger than Ruburt, for this to some extent helped water down the idea of Prentice as an authority figure. Eleanor, older and a woman, giving definite instructions, did represent an authority figure, both in literary terms and business-wise.

The entire idea of changing houses involved treachery to him, as he interpreted it—Eleanor’s remarks, that is, implied moral dishonesty, Yet still he was tempted, mainly because he wondered if Prentice was taking advantage of him.

Remembering your past ideas toward Prentice, he wondered, regardless of what you said, if you thought he should stay with them. He was very afraid of losing a contract with Prentice for Aspects, and a Bantam contract, while waiting around for another arrangement. At the same time he was afraid of making demands at Prentice for fear he would discover that they didn’t care if he stayed or not. Feeling that way he still went ahead on his own, and felt happily vindicated. The whole affair, with his reactions now, still had him at the point where he did not think he could physically recover, and he was caught in a panic that he tried to hide from you.