“Seth material” search engine (Jane Roberts)

Ruburt feels disloyal himself to even question your own success, and this is an important point. His own paintings and work are of a highly emotional nature. Intuitively he understands much about your work that he does not realize he knows.

His fears prevent him from happily using the knowledge. If you are particularly proud of a given painting, and he does not emotionally relate to it, then he feels guilty, or afraid he will offend.

(Humorously:) He wants you to be a success while you are young enough to enjoy it. (I laughed.) Because he is younger he feels he should not be successful first. The freeing of feeling is indeed important on his part. To some extent he overexaggerated your response to emotionalism as he came to think of it, during your illness. This is also connected to your work in that he was afraid that his quite natural emotions would frighten you, and therefore impede your work.

The idea of writing his feelings down in one way or another is very good. Some of your early unfortunate responses, for example with Rebellers, were highly charged, you see, because of the circumstances. If possible countering suggestions should carry as much exuberance, or positive energy. They should be emotionally felt in other words, rather than merely verbal.