1 result for (book:tps1 AND session:580 AND stemmed:but)
[... 11 paragraphs ...]
A side point here, but with some reference: his mother always told him that he would destroy those he loved, and he feared that any success of his might show you up if you had not achieved your own. Give us time. (Pause.)
[... 4 paragraphs ...]
Now. Rest or a nap in the middle of the day is the most literal and yet symbolic interpretation of a slowdown. Here on awakening he was confronted with the intuitive knowledge of what he had done, not only since the tour but to varying degrees before it. For to carry the idea through, he would have to stop completely.
You cannot try to go and stop at the same time, to be driven to achieve and not achieve, without some consequences. Earlier he felt the stronger apathy that so frightened him, at the height, or depths, of the depression, that being partially probed at the time if you recall. The idea of napping evocatively brings it to mind in less severe form, so that a nap was not a creative refreshing time, but a cop-out. That is, to his way of thinking.
[... 21 paragraphs ...]
(11:03. Jane’s trance had been good. She said that at the end Seth had another remark to make, but that she didn’t have the energy to get it out: “And thank you for fixing my chair.” This is a humorous reference to my putting a new seat in Jane’s favorite Kennedy rocker—her session chair, etc.
[... 2 paragraphs ...]
(“Yeah, but I don’t expect him to pay for anything.”)
[... 4 paragraphs ...]