“Seth material” search engine (Jane Roberts)

In appearing on television he wore initially the pants suit to stress the masculine aspects, or tailored clothes, each stressing to him the more masculine, intellectual, respectable qualities of his nature. He is saying, you see, “I am quite normal, quite intellectual, and in my way quite responsible and proper. Do not be alarmed by my wild mystical self, for it is well under control.”

When the sexual identity is sound, as it is in both of your cases, this means the need for a greater accommodation within the self. A tolerant attitude, an exuberance and freedom, so that the best qualities of each sex can be harmoniously blended while the personality still retains its necessary overall one-sex identification physically.

Now commercial work and the comics meant something else again. It was not fine art but directed outward in obvious fashions in an aggressive sort of thrust, with a particular market in mind, and therefore to you had a masculine quality. You were perfectly free to support yourself in your early years in that way, and your energy was released because in that regard you felt free to use it. When the natural freely creative energies were aroused in you, you instantly dispensed with all ideas of a commercial market, and completely divorced the idea of painting from selling for the reasons given.

You do not paint the faces of females as a rule, because of the ideas of which I have just told you. Whenever you show the so-called feminine qualities of insight or compassion, you show them as appearing in the male profile, where they are seen opaquely and not faced full on. You feel they need the male discipline to give them a suitable framework, and to define them. Without this you feel them threatening. This also has something to do with your feelings toward oils under certain conditions (underlined).