“Seth material” search engine (Jane Roberts)

The psychic work meant that these would be united. There was strain, as could have been expected. Intuitively and as a woman he would naturally have longer hair, wear earrings and jangly jewelry, which fits the inner feminine image, and also the inner mystical, psychic image of the seeress, the prophetess, and in your own relationship, the mistress.

In appearing on television he wore initially the pants suit to stress the masculine aspects, or tailored clothes, each stressing to him the more masculine, intellectual, respectable qualities of his nature. He is saying, you see, “I am quite normal, quite intellectual, and in my way quite responsible and proper. Do not be alarmed by my wild mystical self, for it is well under control.”

He is saying “I do not run off half-cocked. I am not feminine, mystical, wild, given to fancies that will take you far from the world you know into unknown territory. I am not the unpredictable and therefore unreliable prophetess or mistress. My slow and deliberate movements should tell you this. They tell me this, and offer me then that security.” Thus he interprets these emotions to himself.

All of the time of course these feminine aspects were being used as the intuitive, mystical thresholds of psychic activity. I told you once that Ruburt would not have allowed a feminine counterpart of myself to speak, but neither would you have. You would have been afraid of the “unpredictable” in quotes feminine aspects.

(In trance, Jane pointed to the new painting.) The picture is of a man, or rather of a woman who lived in Constantinople in the 14th century. A mystic of some renown who was well-known for looking into the future.