“Seth material” search engine (Jane Roberts)

The very experience however, with all of its triumphs and insights had to bring to the foreground personal problems of development that many people simply do not face, or come to grips with. Strains and tensions developed, but in grappling with these and with the physical symptoms, new insights were reached.

I can indeed. Now in your paintings, many of them, you merge the male and female characteristics—the feminine compassion and intuition often appearing as it does here in a male face.

You do not paint the faces of females as a rule, because of the ideas of which I have just told you. Whenever you show the so-called feminine qualities of insight or compassion, you show them as appearing in the male profile, where they are seen opaquely and not faced full on. You feel they need the male discipline to give them a suitable framework, and to define them. Without this you feel them threatening. This also has something to do with your feelings toward oils under certain conditions (underlined).