“Seth material” search engine (Jane Roberts)

The difficulties with the hand were not meant to threaten your artistic self. You feared they were. They were meant, in some instances, to protect your artistic self, if you recall our last session. Therefore the fear was a conscious one, and basically unwarranted. The unconscious was not (underlined) threatening your artistic self. You were afraid that it was, or that unwittingly the symptoms would bring this about.

It mirrored your attitudes toward your job, not toward your art in that regard. The fear that the artistic self was being threatened led to a certain panic that impeded the flow of information you were trying to suggest to the unconscious.

The understanding that the artistic self was not being threatened should allow you to relax sufficiently for the suggestions to take effect more. You were as a result distrustful of the subconscious, and this hampered the suggestions. You felt, if it were threatening your artistic self, what could you expect from it when you had always supposed previously that it upheld the creative drive? Your deduction you see was false—the earlier deduction that it threatened the painting.