“Seth material” search engine (Jane Roberts)

You did not rise above the fear that the symptom itself, a part from everything else, gave you. You were in a panic, thinking of the importance of your hand to your work. You feared so strongly that the symptom could stop you, even from painting, that the fear itself became a detriment for positive suggestion. When your imagination operated freely and not directed concerning the symptom, then it ran in those directions. The very charge behind the fear propelled it.

It mirrored your attitudes toward your job, not toward your art in that regard. The fear that the artistic self was being threatened led to a certain panic that impeded the flow of information you were trying to suggest to the unconscious.

You did not get your suggestions through adequately because in this important area you misjudged its motives, and this caused a certain panic on your part, as mentioned.