one

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TPS1 Session 375 (Deleted) October 26, 1967 14/75 (19%) fragment twins sons father mother
– The Personal Sessions: Book 1 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 375 (Deleted) October 26, 1967 9 PM Thursday

[... 6 paragraphs ...]

Now give us a moment. (One minute pause, eyes closed.)

The man that is left, your father, will be agitated, but then he will feel peaceful. It is almost like a reflex habit, a mechanical one, that keeps him now connected with your mother. (Pause.)

[... 1 paragraph ...]

On the one hand the woman takes pleasure that he now seems to need her so desperately. On the other hand she knows subconsciously that the need is actually counterfeit, and she resents this bitterly. (Long pause.)

[... 2 paragraphs ...]

He wanted to be the father of boys. There is some matter here not clear, not distorted or blocked, simply not clear, concerning the actual desire for the birth of males, however. He wanted to be the father of three for his own reasons, rather than the father of one or two children, you see.

[... 2 paragraphs ...]

The whole personality is a stubborn one, and had to learn in this manner. The vitality of the fragment personality but hints at the overall vitality of the whole self involved.

The characteristics are explosive and seemingly overwhelmingly impulsive, simply because by the nature of a fragment there are few balancing features, usually instead a one-sided explosive offshoot. These characteristics have in other lives held the personality back. Now the personality will realize the detrimental nature, and has purged itself, so to speak.

The whole personality will be much more free to progress. The characteristics were allowed to run their course. It had been agreed between the mother and the father beforehand. The whole personality of the father did not need to be involved after a certain point however, and withdrew. (Long pause; one of many.)

[... 2 paragraphs ...]

The analogy is perhaps an old one, but the fragment is like an actor playing a character role, partially lost within it, perhaps disliking the character he plays, and yet through the part learning lessons that he will use in his own private life with its greater dimensions. Do you see?

[... 8 paragraphs ...]

Still however out of pity, the trap is still a probable one. It is a probable one simply because it does exist. For your mother it would represent nevertheless a betrayal on your part, for she would immediately realize that she had failed in the bitterest of terms, and to her the most ignoble of terms. This applying to her specifically, for she would win you when she was an old woman.

The betrayal to her would be bitter. (One minute pause.) She realizes that Ruburt makes you an excellent wife. She hates her and loves her for this reason. In one way, when you were born, she was quite content that your father vanish. She did not want children, yet giving birth gave her a sense of power, the only sense of power she had experienced in this existence, and so she used this power as a weapon when she felt a weapon was needed.

[... 7 paragraphs ...]

Now. We cannot cover all of this in one evening. Your brother Dick has been connected with your mother in the past, as you know. He and she are part of the same entity. His characteristics are a part of those of that entity. He is strongly a part of her, and was born from her for that reason.

In some respects he is a slightly future version of your mother, already having gained from her experiences. He is a larger dimension of her, a different expression, a more adequate and productive one. Now there are twins in time as you experience it. Twins also appears in different times. Do you see?

[... 2 paragraphs ...]

This son is basically a psychological twin of the mother, but developing a more spacious personality, and a more giving nature. This one has progressed so well, with indeed little experience comparatively, that he most probably will become an entity of his own eventually.

[... 18 paragraphs ...]

(“I have just one question: what do you think of the painting of the leaf I just finished?” In tempera.)

[... 12 paragraphs ...]

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