“Seth material” search engine (Jane Roberts)

The analogy is perhaps an old one, but the fragment is like an actor playing a character role, partially lost within it, perhaps disliking the character he plays, and yet through the part learning lessons that he will use in his own private life with its greater dimensions. Do you see?

She would feel quite trapped if you tried to do so, and in a rage, for you would have betrayed her. If you rose to take his place, then she would be driven to do her battle over. Do you see?

In some respects he is a slightly future version of your mother, already having gained from her experiences. He is a larger dimension of her, a different expression, a more adequate and productive one. Now there are twins in time as you experience it. Twins also appears in different times. Do you see?

(“I have just one question: what do you think of the painting of the leaf I just finished?” In tempera.)

Give us a moment. (Pause.) Also, do not forget your sketching work. This allows for both spontaneity and discipline.

You are close to releasing yourself in a particular way through your painting, through your work, and you will find this way intuitively. By close here, I mean very close. It is this very nearness that made you dissatisfied with what you had just finished, an inner comparison of this with work you will do in the very (underlined) near future; and no reflection on the leaf painting, except by future contrasts. Some hint of the new appeared in it.