“Seth material” search engine (Jane Roberts)

(10:04. Jane said she had been well dissociated. I thought that perhaps Seth asked about an end to the session because Jane was blocking material about me she thought I might not like to hear. We now had a discussion about my motives in painting; I hoped it would release any blocks Jane might have set up. Seth then broke in at 10:15.)

Give us a moment. (Pause. Head down.) Now hear me. Using what you have learned here tonight, you can use your ability more freely. (Pause.) You can step out, so to speak, you can allow yourself to rely upon the integrity of spontaneity as it applies to your painting and to your talent.

Your potential is now. It did not exist as you conceive of it (Jane, lying back on the couch, turned to face me), until you felt free to let it emerge, and you did not. You should now. (Pause.

(“Well, I think of it that way. It just makes me mad to think I could have been doing some of this in the past—with the use of hindsight.”

(After a long pause Jane came out of trance at 10:28. She said she had been much farther out than usual, and believed this was due to tonight’s material; she was afraid of hurting me. For this reason my questions and comments bothered her, she said. We discussed my abstract paintings briefly, speculating on the reasons people were attracted to them, and Seth came through briefly at 10:30.)