“Seth material” search engine (Jane Roberts)

A strong saving grace in all of the personal and household turmoil she lived in, Jane told me often, was her relationship with her maternal grandfather, Joseph Burdo, her “Little Daddy,” as she called him because of his diminutive size. Even as a youngster she had been well aware that she felt psychically connected to him. Joseph Burdo had become estranged from his wife, Minnie Finn, long ago. He was a man of few words, yet he nurtured in his granddaughter a love of nature that she was to cherish for the rest of her life. In Appendix 1, Volume 1 of The “Unknown” Reality, published in 1977, I partially quote Seth as saying that Joseph Burdo was “Part of a very strong entity. However, extremely inarticulate in his last life, due to an inability to synthesize gains in past lives… That is, in his feeling of unity with All That Is, he excluded other human beings....” He lived alone in rented rooms and worked at various jobs in town; he was a doorman, a watchman. He drank and gambled at the local casinos and played the horses at Saratoga Springs’ famous racetrack. He took Jane on walks in the nearby woods. “When he spoke of the wind,” Seth remarked, “she felt like the wind, as any child will unselfconsciously identify with the elements.” He died in 1949 at 68, when Jane was 20 years old.

And how did Jane and I meet? I too am a World War II veteran; after three years of service in the Air Force Transport Command I was discharged in 1942. I spent several years freelancing as a commercial artist in the Sayre, Pennsylvania area while living with my parents, Robert Sr. and Estelle (my father called her Stell). They were, I could see, getting older. I felt protective toward them; both of my younger brothers had left home, and one had married. I preferred the small-town life, but had about exhausted my professional options after doing medical illustrations for the local but well-known Robert Packer Hospital (some drawings won prizes in traveling exhibitions), working briefly in radio, painting signs, and so forth. Then I went back to doing comic-book art by mail for various New York City publishers. Finally I decided to return to the city indefinitely to go into advertising illustration, a field that paid much better. I told myself that I had to get back into the world out there.

Ed told me that his car was in a garage for repairs. Tomorrow he was to take the bus from Schuylerville to mail his weekly set of strips to the syndicate via the faster service provided by the post office in Saratoga Springs. If I drove upstate, he suggested, I could meet him late in the day at the post office, and then we could go out to his place. Evening was approaching at the end of my 200-mile trip when we met. Now Ed had a new idea after we’d become reacquainted. I paraphrase all of his dialogue even though my memory is good: “Bob, there’s a couple you’ve got to meet—her name’s Jane Zeh and her husband is Walt. She writes poetry, did a column for The Saratogian. I think she’s got real ability. They have an apartment here in town, and her mother lives on Middle Avenue. I’d like to see the place where she grew up—it’s not far out of our way out of town...” Ed added that a few days later, on Saturday night, the Zehs were to join a gathering of friends at his and Ella’s home in Schuylerville.

Ed wanted to find number 92, the old double house that Jane had described to him as being her childhood home. We had crawled halfway along the avenue, between its dim corner streetlights, when my car’s headlights brushed over a shadowy feminine figure walking in our direction. Indeed, I was driving past the lady when Ed, looking back, exclaimed: “Hey, wait, Bob—that’s her! That’s Jane right there now. Pull over—” He was lowering his side window even as he spoke. Yes, it was Jane Zeh, expressing surprise in a clear musical voice at such a “chance” meeting as she came even with the car. I could see only part of her silhouette as Ed introduced us and told her I’d be working for him. Jane didn’t have a license to drive. She said that if she happened to be in Schuylerville during the day she’d stop in at Ed’s studio in town and say hello. (She did, but several weeks later.) Right then, she told us she was on her way to see her bedridden mother, Marie, as she often did at that time of night. She pointed out number 92, a few doors ahead of us. I said something innocuous to the effect that I looked forward to meeting her and her husband next Saturday night.

I had kept my very strong feelings for Jane to myself, or so I’d thought, and despaired at the idea of never seeing her again. I was the complete amateur at dealing with the personal interactions of others. I visited Walt and Jane at their apartment in Saratoga Springs and told them I’d be leaving the area. Jane discussed the decision she and Walt had made. Then, directly to me: “I’m leaving town, with or without you. So which is it going to be?” I was quite unprepared, yet knew at once what my answer would be. Even though I’d had no thought of interfering with, or taking advantage of, any complications between them. I can see Walt now, sitting by the window of their second-story apartment’s small living room, nodding at Jane’s words, his eyes wet. There was never a harsh word between us. Jane’s dog, Mischa, slept at her feet. It was only after Jane had begun the Seth material a number of years later that we realized that she and Walt, both coming from dysfunctional families, had chosen to come together at just the right time for their own mutually creative learning purposes—and that with those purposes fulfilled, each of them was ready to move on by the time I met them. At the time, however, I wasn’t ready to consciously understand such interlocking emotional relationships even though I was playing a part in one of them.

Jane made her first sales of short stories—science-fiction fantasies. And riding her old-fashioned secondhand bicycle she also sold cutlery and household supplies door-to-door for two out-of-town manufacturers, and did well at those efforts, too! She turned down an offer to be a district manager for one of the companies. In 1960 we moved 15 miles across the Pennsylvania border to Elmira, NY, to live in Jimmy Spaziani’s apartment house on West Water Street. I designed greeting cards for a nationally known company, and was to work there off and on for several years. Jane worked part-time as a secretary for Elmira’s Arnot Art Museum, and wrote two unpublished novels—and one that did sell. The Rebellers was published in a two-novel paperback edition that she disliked intensely. Without judging the other author’s work, she just didn’t want to share her first book with anyone else.

It wasn’t hard for me to answer, with no judgment or resentment implied. “No, I don’t think anyone here in town has the faintest idea of anything like that.”