“Seth material” search engine (Jane Roberts)

I also feel that now, years later in earthly time, Jane and Seth are free of each other yet more closely knit than ever before. And me? Yes, I chose to be creatively involved (as I still am, obviously) for my own intuitive reasons—not only as an intensely interested observer and recorder, but as an artist too. Much of my art is rooted in the Seth material, in ways I couldn’t have anticipated before Jane and I began our work together. Seth once said that without my steadying influence Jane may never have developed the sessions as we know them. That may be true, but I’m also sure that she would have expressed her innate creativity in other surely literary ways—and maybe in psychic ways, too! Why not? Look at her The Physical Universe as Idea Construction. But those more acceptable ways, like her “regular” essays but like her poetry most of all, were the ones she had worked in and with from a very early age.

Nor did I brush aside my deep concerns about her symptoms because of the excitement stemming from the appearance, then the steady growth and complexity, of the sessions. Instead we became involved in a long process of trying to understand my wife’s impairments as they fluctuated over the years, and then finally did not leave her completely at all. Seth told us a number of times that Jane did not have arthritis, like her mother Marie did, but had instead started to develop deep self-protective defense mechanisms at an early age as a result of her chaotic and fatherless upbringing.