“Seth material” search engine (Jane Roberts)

She was of course very familiar with the spontaneous role her creative self enacted when she was writing, especially in her poetry. But this? We were to learn that the conscious yet intuitive pace of her realizations was carefully meted out by her psyche: just so much at a time. For the first few days after I finally got it through my head what Jane was really saying in her essay I couldn’t accept the idea that each one of us literally, really, creates our own reality. Conventional thinking simply couldn’t, wouldn’t accept that, I said, although I didn’t regard myself as a conventional thinker. But her breakthrough had set the agenda for our lifetimes-to-come: idea construction, all right!

Of the two of us I was supposed to be the artist in the conventional sense, yet I’d always felt that I couldn’t rival Jane’s amazingly simple but brilliantly colored art that was so true to her innate psychic knowledge—while seemingly ignoring it! But she didn’t ignore it at all, I learned along the way, for she created and explored a spontaneous and innocent reality that freed her from all other concerns. Her art contained our origins, I felt, by strongly calling attention to her obviously creative and intuitive knowledge. She painted a tree rising out of the earth with brilliantly colored apples, for example. It was, after all, an epitome of what our reality has led us to create and enjoy. What could be better? She wasn’t bound by the mundane rules of perspective, with its everyday limits that most of us never surmount or subsume: she created her deceptively childish world each time she painted. I could go on and on. Jane’s work is not large-scale by any means. One of my goals is to see her art, all of it, reproduced in color in 81/2” x 11” portfolio style at a modest price. Susan Ray of Moment Point Press used three of Jane’s paintings as cover art for her books; God of Jane, Adventures in Consciousness, and Psychic Politics.