“Seth material” search engine (Jane Roberts)

Ed told me that his car was in a garage for repairs. Tomorrow he was to take the bus from Schuylerville to mail his weekly set of strips to the syndicate via the faster service provided by the post office in Saratoga Springs. If I drove upstate, he suggested, I could meet him late in the day at the post office, and then we could go out to his place. Evening was approaching at the end of my 200-mile trip when we met. Now Ed had a new idea after we’d become reacquainted. I paraphrase all of his dialogue even though my memory is good: “Bob, there’s a couple you’ve got to meet—her name’s Jane Zeh and her husband is Walt. She writes poetry, did a column for The Saratogian. I think she’s got real ability. They have an apartment here in town, and her mother lives on Middle Avenue. I’d like to see the place where she grew up—it’s not far out of our way out of town...” Ed added that a few days later, on Saturday night, the Zehs were to join a gathering of friends at his and Ella’s home in Schuylerville.

When he spoke through Jane for the first time in Session 4 on December 8, 1964, Seth not only gave us his own entity name—Seth, of course—but those for Jane and me: Ruburt and Joseph. He was quite amused that Jane didn’t particularly like the name Ruburt. “Strange to the strange,” he told us. See Volume 1 of The Early Sessions. Yet Ruburt and Seth met on certain common grounds that were to be developed in depth over the years. Indeed, each one of us had particular qualities of life—memories, emotions, events—to explore “this time around.” I’m sure that Jane and Seth, those two parts of our triumvirate, are relatively involved in their afterdeath challenges, each from her and his nonphysical viewpoint. Just as I’m doing in this earthly environment that I’m helping to create—preparatory, possibly, to joining them “later” in our ordinary terms of time. That, I’m sure, is a privilege I’ll have full freedom to carry out, if I choose to.

I showed our guests the portrait of Seth that I had painted from my vision in 1968, as well as my paintings of Jane both before and after her death. Some of the latter were from visions, some simply from my memory of her and what she was trying to tell me or from what I was trying to understand. I also showed our visitors several of my portraits from my own past lives, both male and female, that Seth had mentioned long ago, or that I’d tuned into through dreams. The points I stressed to the group mainly concerned my basically unconventional interests. I do some abstract art. Beyond an occasional foray, however, I no longer have an abiding interest in simple literal portraits or still-life or landscape images per se. But then, I asked, what more literal odyssey would there be than to investigate one’s own past lives, male and female? It took me a while to start thinking that way after Jane began speaking for Seth. The subject matter is endless, free of time and age and style in unique ways. And here again, I envision publishing a portfolio of my art, with the necessary text. I see Jane’s and my art as reinforcing the Seth material in quite original ways.

At the end of the first day of the group’s most interesting visit. Richie and Yvette left to return to Connecticut. Jim and Debbie and Winter and Theresa left for the Holiday Inn in Elmira, New York, 15 miles across the Pennsylvania border. At the Inn in 1997 and 1999 Laurel and I had been guests at well-attended Seth conferences organized by Lynda Dahl and Stan Ulkowski. Our rich memories of those gatherings are nourished each time we drive past the Inn on our way to the hill house. We met our guests at the Inn the next morning, and the six of us drove in our three cars to a nearby country restaurant for breakfast. Then, with Laurel driving and our friends’ cars following, we traveled up a steep and winding hill just outside the city to not only a fine view but to Quarry Farm, an old-fashioned but large and elegant wooden homestead where Mark Twain had done some of his finest writing. No admittance, private property, a sign proclaimed, so we stood in the driveway just off the road to study the farm and its open and peaceful setting. Then back down into the city and to the campus of Elmira College. Jane had lectured to a class in creative writing at the college after the publication of Seth Speaks in 1972.There on the school’s green sward stood the small many-windowed gazebo that Mark Twain had worked in during his summers at the farm; it had been relocated to the college long ago. Not surprisingly it was locked, but still easy to inspect—and also to just accept as the people of Elmira and those in the college went about their daily activities. Mark Twain had been one of Jane’s favorite writers.