“Seth material” search engine (Jane Roberts)

Obviously, this introduction will be incomplete. It will also be rather unorthodox—more like a series of conscious and unconscious reminiscences and free associations, moving back and forth in time as I approach sets of ideas from various angles while seeking to learn more about my wife even now, 18 years after her death. Jane’s death may have been physical, yet she still lives, still offers insights, still makes me reach to understand and grow as I mourn her passing. She died at the age of 55. What more could she have accomplished in our camouflage reality had she chosen to live physically for, say, even another decade? Wonderfully penetrating things, I’m sure—and I believe that she is indeed doing so, “where she is now.”

The camouflage days pass with blessed speed as Laurel and I savor them in all of their complexities. Our journey together continues with new insights, new challenges, new understandings. We were married on December 31, 1999. Thank you, Laurel. I love you.

And guess what: I finally understood as Jane’s symptoms began to slowly grow that her choices were her right, and stopped my innuendos that it was perfectly all right for her to be open to outside help—so why wasn’t she? Seth was way ahead of me. I don’t recall that worthy ever suggesting to my wife outright that she seek medical help, let alone insisting that she do so. Was this because Jane wouldn’t allow him to say that, even if he wanted to? As noted, at times I’d felt that that was the case. It’s easy to proclaim that we human beings live short of our potentials in those terms—for if such potentials didn’t exist, how could we sense or aspire to them? But I’m hardly being original when I insist that each life is so intensely real that it seems most difficult to truly believe that we can have it any other way—let alone have more than one! Our challenges in this physical/nonphysical existence reign supreme, regardless of other possible long-term influences like reincarnation or time travel, for example. Or—yes—even religion: a subject I would like to explore in depth if ever I can create the several years of camouflage time necessary to do so. So even if Seth did help, still Jane chose to live her own life within the face and force of her own very creative present personality. Seth did offer insights, excellent ones of certain very creative depths that we more than welcomed, while all the time being quite aware, I think, that the beautiful young woman through whom he spoke—who let him speak—had her own agenda at the same time. And even though we agreed with Seth’s reincarnational material involving the three of us, and our families, still it was also intensely personal for my wife in this life that she go her own way.

For example: In Session 510, on January 19, 1970 in Volume Nine of The Early Sessions, Seth remarked: “Now. I have been helping Ruburt. The energy that I would put into sessions has gone into some private talks to him while he slept. These have resulted in necessary insights on his part that will themselves cause the release of energy from the inner self.” And my notes follow: (For the last several days Jane has been telling me about a string of insights and revelations she has been experiencing, both asleep and awake. She feels these are very beneficial and has been putting them to immediate use. She feels she has lately realized a group of truths that she hadn’t understood before, etc.)

I do admit that in recent years I’ve wondered more and more why artists don’t deal with at least their own past-life images. Surely these would be as original as any conventional self-portrait. Surely the artist could have, would have, insights into such existences but for a number of reasons—fear of ridicule, for example—choose not to investigate them. Especially in public ways! Yet artists are supposed to be uninhibited to express their feelings and knowledge. An incredibly rich and very nearly untapped, psychic and psychological field lies open for exploration, I think, waiting, waiting. I also believe that opening up past-life fields would enrich us all. In my naiveté I can see a whole genre of art growing. My own projected portfolio of art will include at least several past-life images of me. I’ve already painted them (but can always add more). Recently I finished a past-life portrait from my vision of a friend Jane and I had known years ago. Jim hasn’t seen it; we lost touch with him before moving to the hill house in 1975. Why did that past-life image of him come to me in 2002? I painted my image of Jim with tiny crosses in the pupils of his eyes, and with his eyes themselves brimming with tears. I wrote: “Always very religious in his lives, Jim cried with compassion for his fellow human beings.” The resultant oil is one of my best.

The Seth material, as Jane and Rob spoke and wrote it between 1963 and 1984 has brought insights and inspiration to millions of people, including myself. I have often been interested in the vast differences in the goals and characters of the many readers who visit and correspond. The Seth material was magical to me as soon as I started reading the first book I found in a used bookstore, Seth Speaks, in 1979. Many other readers have felt the same way. Rob and Jane and Seth’s magic has brought new interest and purpose into the lives of many different kinds of people. The exact number of readers is unknown, but over the years many people have visited and have written to Rob and Jane.