“Seth material” search engine (Jane Roberts)

Well, the pay wouldn’t be as good as I could earn in New York City, I explained to my parents, but my living expenses would be much lower. Besides, I’d be close enough to visit them often, so what could I lose? I could always go to the city. What I didn’t understand until later was that Ed’s seemingly innocent call had set into motion a series of events that one by one would magically fall into place and create a much larger, much longer and more penetrating overall experience. I wasn’t used to consciously thinking in such terms.

By the age of three I was already drawing—scribbling, experimenting—and began writing stories in grade school. Many of them were fantasies involving cowboys and Indians and detectives and world adventurers that I crudely illustrated on my yellow school pads. I still have a collection of those: strangely innocent but moving. (I was especially fascinated by horses, but have yet to ride one!) While a sophomore I wrote a novel that I typed on the same kind of yellow paper and bound into a book, I even tried—unsuccessfully—to sell it. I still have that book, also.

Of the two of us I was supposed to be the artist in the conventional sense, yet I’d always felt that I couldn’t rival Jane’s amazingly simple but brilliantly colored art that was so true to her innate psychic knowledge—while seemingly ignoring it! But she didn’t ignore it at all, I learned along the way, for she created and explored a spontaneous and innocent reality that freed her from all other concerns. Her art contained our origins, I felt, by strongly calling attention to her obviously creative and intuitive knowledge. She painted a tree rising out of the earth with brilliantly colored apples, for example. It was, after all, an epitome of what our reality has led us to create and enjoy. What could be better? She wasn’t bound by the mundane rules of perspective, with its everyday limits that most of us never surmount or subsume: she created her deceptively childish world each time she painted. I could go on and on. Jane’s work is not large-scale by any means. One of my goals is to see her art, all of it, reproduced in color in 81/2” x 11” portfolio style at a modest price. Susan Ray of Moment Point Press used three of Jane’s paintings as cover art for her books; God of Jane, Adventures in Consciousness, and Psychic Politics.