“Seth material” search engine (Jane Roberts)

But first: One day in late November 1963, Jane sat at her writing table in the living room while I left to paint in my studio at the back of the apartment. We often followed this routine when we didn’t have to be out of the house. My wife liked to tune into a radio station that featured classical music while she worked; she kept its volume low enough so that it didn’t bother me. After some time on that particular day I realized that all was quiet—too quiet—out there in the living room. When I went out to see what Jane was up to I was greeted with her breakthrough accomplishment—one that, to put it mildly, was to lead to very unexpected challenges and growths in our lives: Jane held up a sheaf of typewriter paper upon which she had scribbled in large handwriting an essay that had come to her as fast as she could write it down: The Physical Universe as Idea Construction. She didn’t know where the work had come from, how she had produced it. She’d felt as though she was out of her body some of the time, out on the first floor’s porch roof looking in at herself. “What does it mean?” she asked as we discussed it. She was exhilarated, intrigued, cautious, wondering about its ideas—that basically each one of us creates our own reality in the most intimate terms, for example.

I packed my suitcase and art materials the day before I was to leave Sayre. At suppertime that night I received a telephone call from Ed Robbins, an old friend I’d gone to art school with in Brooklyn, New York before World War II. The results flowing from that call, which was so of-the-moment, were to change my life forever—and Jane’s too! Ed offered me a job as an artist in his upstate hometown of Schuylerville, some 11 miles east of Saratoga Springs and on the Hudson River. He was writing and drawing the Mike Hammer daily and Sunday comic strips for his friend, Mickey Spillane, and was having trouble meeting those remorseless weekly deadlines for the syndicate that distributed the feature to newspapers coast to coast. Ed knew I’d done comic-book work: would I be interested in helping him get his strips to the syndicate on time? The pay would be good. I could live with him and his wife Ella and their children until I found a place for myself if our arrangement worked out.

Within a few weeks Ed Robbins’ and my labors on the Mike Hammer detective strip came to an end due to policy differences with the syndicate distributing the feature. Both of us ended up out of work. I never did get to settle down in my own place in Schuylerville! A “coincidence,” of course, that my work for Ed ended at the same time Jane told him that she and Walt had amicably agreed to part. Ed talked about moving with his family to New Paltz, a small community about 110 miles south, near the Hudson River; he might find commercial work there with a friend. I thought of returning to my parents’ home in Sayre, and then going on to New York City as I’d originally planned to do before receiving that life-changing call from Ed.