“Seth material” search engine (Jane Roberts)

Jane was still productive during much of that last stay, however. With Seth she dictated, if slowly, The Way Toward Health. For herself she dictated poetry. I read to her the fan mail I brought each day, and between the two of us we kept up with answering it. She had periods of modest motion improvement, but they didn’t last. Various medications helped a little (with side effects at times), but the medical establishment had no cure to offer. Jane obtained her greatest relief from the daily baths that were given her so lovingly by staff members. We became friends with a number of them; they helped us celebrate birthdays and holidays in 330. At no time did we tell anyone what we were writing about, or its sometimes nonphysical source, so to speak. Staff knew only that Jane dictated to me often, that we got a lot of mail, and that I kept copious notes. We had a few visits from local friends, but it didn’t take us long to learn that many people avoided hospitals as much as possible. We could hardly object to that: after all, for whatever strong personal reasons Jane had done her best to stay out of the hospital, and I had acquiesced to her decisions. People out there in the world had their own challenges.

Jane and I were very surprised at the initial reception of The Seth Material, then Seth Speaks and Personal Reality (our shortened terminology for those first two Seth-dictated books.) Since we had no experience with “fan mail,” for example, we had no expectations, but as the Seth titles and Jane’s own books were published she came to spend many a weekend answering that most welcome mail. I helped out when I could after typing sessions, often doing commercial art at least part-time, and trying to paint. The mail rapidly became a quite humbling education in itself. The writers of those letters opened up in specific terms worlds that we’d have never known about otherwise, and, eventually, they did so not only from this country but also from abroad. Seventeen language translations as I write this. How interesting to see that each one of us was indeed creating our personal reality within the overall reality of the universe that all of us were also creating, uniting all—everything—in complicated fashions far beyond our ordinarily accepted understanding. Time travels for sure; travels not only through the psyche but through time—even if Seth did call that quality we were so used to “camouflage time!”

Often I think of the routines Jane and I settled into upon moving into 1730 in 1975. She was 46; I was 56. Now it seems that all of those years to follow passed in a flash. Routines, yes, but also ever-changing ones that still revolved around the simple elements of the work we loved and carried out amid the unexpected freedoms of living so much closer to the environment we had always taken for granted: the writing and painting, the sessions and mail, the publishing of books, the visits of friends and fans, some even from Europe. The hill house was the first property either one of us had ever owned, yet even within that loving context Jane gradually had more and more trouble walking even while the Seth material continued to grow in reach and flexibility, to attract a wider and wider audience. We saw deer in the back yard and put feed out for them and the birds. (The deer went into hiding during the hunting seasons.)