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[... 61 paragraphs ...]
It was no accident, Jane and I often said, that we were so quickly attracted to each other. Not only because of our simple love for one another and our mutual interests—but even then, I came to understand, because we could intuitively sense the fine creative adventure in consciousness that was to become the Seth material. (We didn’t give a thought, however, to anything like reincarnation, let alone to such connections involving us.) Even now, 18 years after Jane’s death in l984, I’m as committed to our work as ever. I have no reasons or motivations to present myself as being really cautious or asking my wife to be careful as she began to unleash the great flow of creativity that was to follow. I welcomed it after my first hesitance at accepting her themes in Idea Construction, and as it created its many-faceted path through our lives. On November 26, 1963, when Jane and I received those first incoherent “messages” on a borrowed Ouija board, our world views began to change, to enlarge. And more and more the Seth material became as deeply intertwined with my visual art as it did with Jane’s written art.
[... 93 paragraphs ...]