“Seth material” search engine (Jane Roberts)

Often, I could hear a powerful Seth through two closed doors. And so, we learned more than once in warm weather, could neighbors and passersby on West Water Street when our windows were open. But those occasions were relatively minor: consider the situation inside the house! Long ago, the three floors of the old house, a typical turn-of-the-last-century “mansion” on the main street three blocks west of Elmira’s business district, had been converted into eight apartments. All were continuously occupied during the 15 years Jane and I (and Seth for the last 11 of those years) lived there. Turnover was low, and we knew most of the other tenants, although no more than one or two of them at any time had an inkling of what we were up to with first the sessions and then the addition of the ESP classes. Even now I still correspond with two of those “ex-tenants”—loyal friends indeed!

Well, the pay wouldn’t be as good as I could earn in New York City, I explained to my parents, but my living expenses would be much lower. Besides, I’d be close enough to visit them often, so what could I lose? I could always go to the city. What I didn’t understand until later was that Ed’s seemingly innocent call had set into motion a series of events that one by one would magically fall into place and create a much larger, much longer and more penetrating overall experience. I wasn’t used to consciously thinking in such terms.

I also feel that now, years later in earthly time, Jane and Seth are free of each other yet more closely knit than ever before. And me? Yes, I chose to be creatively involved (as I still am, obviously) for my own intuitive reasons—not only as an intensely interested observer and recorder, but as an artist too. Much of my art is rooted in the Seth material, in ways I couldn’t have anticipated before Jane and I began our work together. Seth once said that without my steadying influence Jane may never have developed the sessions as we know them. That may be true, but I’m also sure that she would have expressed her innate creativity in other surely literary ways—and maybe in psychic ways, too! Why not? Look at her The Physical Universe as Idea Construction. But those more acceptable ways, like her “regular” essays but like her poetry most of all, were the ones she had worked in and with from a very early age.

During this time also Jane’s mother, Marie, lost her home in Saratoga Springs, NY, and was placed in a state-run nursing home in nearby Middle Grove. Through the mail mother and daughter patched up their volatile relationship enough to begin exchanging letters fairly regularly. Jane never told Marie about the Seth material, or her symptoms. Marie even accepted me as her daughter’s husband. The two gave each other Christmas gifts. Jane sent her mother nightwear and stationery and other small useful presents. Marie always sent her daughter sweaters that she had knitted with great difficulty because of her misshapen fingers; invariably the garments were too large. Seth suggested that Jane not wear them in any case because of the roiled emotions that had existed between the two almost from Jane’s birth; gifts from the mother could still carry those feelings. Mother and daughter were to never meet again: Marie died shortly before 1975. By then it wasn’t easy for Jane to travel, and we didn’t make the approximately 400-mile roundtrip to attend the funeral. Later the nursing home was closed by the state. A mutual friend sent us photographs of the big old red-brick building, three stories high, shuttered and dark and deserted among the trees and in the snow.

As I’ve written, Jane’s two short and fruitless stays in the hospital had left her deeply skeptical about the value of conventional medical treatment in her case. She was still most reluctant to return to St. Joseph’s, but when her symptoms became so severe that I could no longer care for her at 1730 she went back into the hospital in April 1983. For the last time. For one year and 9 months until her death. In all of that camouflage time I missed spending several hours a day with her in room 330 just once. The Elmira area was hit by more than a foot of snow. I couldn’t get my car out of the garage; the streets weren’t plowed, businesses remained closed. Radio bulletins advised all except emergency workers to stay home. I couldn’t get through to my wife by telephone. Sometimes I would call her late at night to offer reassurance.

The door to Apartment 5 was closed. Locked? Was anyone home? I didn’t try to find out as all of us stood there. Seth had first come through Jane in the living room of that apartment, in Session 4 on December 8, 1962. Thirty-nine years ago. I couldn’t believe it....

My parents lived briefly in Elmira, and then moved to Sayre in 1923 after having traveled to California. Hardly strange, then, that I found work as an artist in Elmira, and that Jane and I moved there in 1960, five years after our marriage. I still have third-and-fourth generation relatives in Elmira, although I’m not close to them. This is as much my fault as anyone else’s. Jane and I became so wrapped up in our own little worlds that we didn’t try to reach out. I tell myself that I should try to do that, even now, however.