“Seth material” search engine (Jane Roberts)

In reviewing them, I’m very pleased to discover that these sessions are as fresh, as creative and perceptive, as they ever were. Talk about the elasticity of “time,” as Seth often did! How much do we consciously know, or think we know, about that ultimately mysterious quality within which we construct our universe, our planet, the most minute portion of each one of us, mental or physical, during each moment of our lives? That ineluctable universe within which we swim so beautifully day and night, one that, according to Seth, we also create—and all at once, no less! As Seth told us in Session 20, on January 23, 1964: “Time and space, dear friends, are both camouflage patterns, therefore the fact that the inner senses can conquer time and space is not, after all, so surprising. To the mind with its subconscious, and to the inner senses, there is no time or space....” If only we could really grasp consciously those innate qualities that we value so highly, yet take for granted! I think that my writing this introduction, then, is basically timeless behavior.

Nor am I trying to justify class behavior by noting that Jane and I and our guests were much better behaved during the Friday-night gatherings in our apartment. A fine group of young friends with both similar and quite different interests than ours slowly developed, each one, each couple, dropping in at the end of the workweek to relax and talk. All knew of Jane’s abilities, of course, her growing career with its attendant publicity, but that was only a minor subject amid wide-ranging discussions. Once in a while Seth would come through—though usually only by invitation—but that wasn’t the norm by any means. There were too many other things to discuss! Sue Watkins, a dear friend who was to write several books about Jane’s work with the Seth material, lived just down the street for a while before moving to the country. (Sue’s latest, Speaking of Jane Roberts, is crowded with much frank and loving information about Jane and me that I have no room to go into here.) Peggy Gallagher and her husband Bill worked for the Elmira Star-Gazette; as a reporter Peg wrote several well-received articles about Jane and the Seth material. The Gallaghers were the best friends anyone could have, but we loved everyone. Especially as we came to realize that our having such friends made up for interactions with others that Jane and I had largely missed out on in our own earlier relationships. Valuable!

She began the sessions on December 2, 1963 and published The Seth Material in 1970. Before that welcome event, however, we had held 510 sessions over five years and two months, mainly for ourselves as we sought to understand and let develop her most unusual abilities as she spoke for and wrote about Seth, with all that such creatively unorthodox behavior implied. We never asked others in the field to help us play “the psychic game,” as we understood it from our reading. We just wanted to do our own thing. Mischa died, and I buried him in a flower bed in back of 458, as we called the house; we were left with our two cats. Those 510 sessions have now been published in nine volumes by Rick Stack of New Awareness Network, Inc. (See that last volume for my drawing of Mischa.) It took a while after the publication of The Seth Material for the first seemingly innocuous signs of conflict within Jane’s psyche—the symptoms—to appear.

Of course, it could be much trickier for the artist to paint a past-life portrait of the client who poses with that result in mind. Questions abound. Can the artist relax enough to let a pertinent image of the sitter come to him or her? What if the client doesn’t like the results? The looks? The time frame? The race, the sex, the implied behavior? Well, to start the sitter could always tell the artist about his or her own dreams and hunches, and help the poor guy out that way. That is, while taking it for granted that the artist believed in reincarnational possibilities....

That night in Sayre, and the next day, Laurel mentioned her near encounter with the hawk or eagle several times before we finally got down to really discussing what had happened at 1730. I drew a crude map of the house and its grounds as seen from above. The front of the house, facing Pinnacle Road, cannot be seen from where all of us were standing in the driveway to the side and in back of it. On the map Laurel showed me how the bird had suddenly zoomed into view low over the house from Pinnacle Road, and then flown even lower toward the two women near the back of the second car in the driveway. Laurel exclaimed now about the bird’s enormous wingspan as it had seemed to fly right at her. It had made no sound except for the rush of air through its wings. Obviously my wife hadn’t been prepared for its seemingly friendly behavior.