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TPS1 Introduction By Rob Butts 3/156 (2%) Laurel Ed hawk Walt wife
– The Personal Sessions: Book 1 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Introduction By Rob Butts

[... 25 paragraphs ...]

I’m married now to a very beautiful, intelligent and much younger lady who in her own unique ways offers me invaluable love, assistance, and reinforcement. I often feel that Laurel Lee Davies, a native of Iowa who came to me from California on August 23, 1985, 11 months after Jane’s death, helped transform me. No coincidence, that! After we had corresponded for a while I called Laurel on February 2, 1985. We met at the hill house in Elmira on August 25 of that year. From the very beginning our relationship seemed perfectly natural, as though we had always known each other. (We feel reincarnational relationships but have yet to explore them.) Laurel helped revitalize me; our years together have been full and creative and productive—and yes, at times controversial. But always she has helped me, just as, I trust, I have helped her. I’m still amazed by the challenges two human beings can create and resolve for themselves within the inconceivable beauty and mystery of All That Is. Each one of us springs into creativity while All That Is gives us the supreme privilege of doing so—and thus, I feel, constantly surprises itself.

[... 86 paragraphs ...]

I also described to our guests the great Seckel pear tree that had grown so beautifully in the back yard, with some of its branches—and fruit— within my reach from the windows of the studio. It must have died years ago, as did its companion, the apple tree I had drawn to illustrate Jane’s poem, “The You-ness of the Universe,” in her book of poems, Dialogues of the Soul and Mortal Self in Time (1975). At the Sayre house I have the large oil painting I did of the sunlight streaming through the windows of the studio on a certain day early in August: the only day in the year that the ever-moving sun casts that particular intriguing pattern of light and shadow across the bare wooden floor.

[... 15 paragraphs ...]

Jane and I lived in the hill house while she had her greatest initial successes with publishing the Seth material, and before she went into the hospital for good on April 20, 1983. Of course 1730 is still a large part of my life, as it is of Laurel’s, even while we use it for storage of all of the treasures it still contains: many of my paintings, files stuffed with records that are destined for the collection at Yale University Library, Laurel’s books and mine, and her records and possessions—all of those intimate signs of life that now seem suspended in our creations of space/time. Laurel came to live with me there on August 23, 1985, 11 months after Jane’s death. And may I add that she wasn’t enamored of my late-night running either. Now, at 83, I walk or run just about every day over the streets I knew so well as a child—only I do it in the daytime. It’s a treat, a privilege, to be able to do it each day. Then I do some painting. I have evenings free to answer mail and write and proofread books like this one. While I still feel the pull of all of those secret nighttimes out of 1730....

[... 26 paragraphs ...]

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