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Reading these private sessions, one can legitimately ask: “Well, if Jane Roberts was so smart and Seth was so great with all of that personal stuff, why did she come down with the symptoms to begin with? [...] These sessions will detail in many ways and times why my beloved wife, even with all of her creative dedication to her chosen path, ended up with what finally came to be her intractable physical impairments. Part of the answer, as I’ve already noted, is that because of her strong fears from early childhood on, Jane did not allow Seth to tell us all he could have. [...] And what about that influence from the “future,” since Seth maintained that all is now? [...] After all, here she was, speaking in trance for a personality who told us he’d last lived on Earth in Denmark 300 years ago—even if there is no such thing as time!
My goal, then, has come to be the publishing of all of Jane’s work, or at least as much of it as I can, including not only the Seth material but her poetry and fiction and notes and journals—to finally be able to offer it as a great whole for study in what we call the “future.” For if all of a person’s lifework isn’t known, how can its true worth in all of its human complexity ultimately be known? Sometimes I think I’m a slow learner: It took me a while to realize, for example, that the responses to the Seth material by mail and in person—and now electronically—are actually myriad extensions of that work, showing in all of their varieties the questions and answers it’s raised and the beneficial effects it’s had on the many who have communicated since Jane held her first real session on December 2, 1963—and on those who still do. [...]
[...] But she didn’t ignore it at all, I learned along the way, for she created and explored a spontaneous and innocent reality that freed her from all other concerns. [...] It was, after all, an epitome of what our reality has led us to create and enjoy. [...] One of my goals is to see her art, all of it, reproduced in color in 81/2” x 11” portfolio style at a modest price. [...]
[...] Jane was reluctant to see me go out late at night, but I reassured her that she would be all right in the house and that I would be all right outside of it—and each one of us always was. [...] I came to know intimately all of the dead-end streets opening off the main road, Coleman Avenue, like steps in a ladder that led up the hill to Pinnacle Road. [...]
When Jane entered the hospital for the last 21 months of her life, I could run all I wanted to. [...] When I came home from the hospital for the last time in a year and 9 months, John went to Jane’s room 330 and very carefully gathered up all of the belongings and artifacts we had accumulated there and brought them to me in 1730: my paintings and drawings, the letters from readers that I had put up on the walls (the hospital never complained), the session notebooks for The Way Toward Health, our books and magazines and newspapers and clothes, the flowers and other gifts from readers and from some of the nurses—all of those things that seem to accumulate almost by themselves as one seeks to create a home wherever that may be.
[...] Of course 1730 is still a large part of my life, as it is of Laurel’s, even while we use it for storage of all of the treasures it still contains: many of my paintings, files stuffed with records that are destined for the collection at Yale University Library, Laurel’s books and mine, and her records and possessions—all of those intimate signs of life that now seem suspended in our creations of space/time. [...] While I still feel the pull of all of those secret nighttimes out of 1730....
[...] That ineluctable universe within which we swim so beautifully day and night, one that, according to Seth, we also create—and all at once, no less! As Seth told us in Session 20, on January 23, 1964: “Time and space, dear friends, are both camouflage patterns, therefore the fact that the inner senses can conquer time and space is not, after all, so surprising. [...]
The kindnesses of others became especially helpful in all of those years that we went through the phases of Jane’s physical “symptoms,” as we called them—from our growing emotional questions and torment about them to success and relief and then through torment again and again. All of that, we gradually learned, proved to be one of the major challenges we had created and participated in, mixed in as it was with our other successes and failures.
[...] In all modesty, there seemed to be much that we could do, feel, want, offer to others. [...] As with other details of our experiences to come, many were still unknown to us on conscious levels—we’d have been incredibly wise to have known it all in advance! [...]
[...] I’m still amazed by the challenges two human beings can create and resolve for themselves within the inconceivable beauty and mystery of All That Is. Each one of us springs into creativity while All That Is gives us the supreme privilege of doing so—and thus, I feel, constantly surprises itself.