“Seth material” search engine (Jane Roberts)

I’m married now to a very beautiful, intelligent and much younger lady who in her own unique ways offers me invaluable love, assistance, and reinforcement. I often feel that Laurel Lee Davies, a native of Iowa who came to me from California on August 23, 1985, 11 months after Jane’s death, helped transform me. No coincidence, that! After we had corresponded for a while I called Laurel on February 2, 1985. We met at the hill house in Elmira on August 25 of that year. From the very beginning our relationship seemed perfectly natural, as though we had always known each other. (We feel reincarnational relationships but have yet to explore them.) Laurel helped revitalize me; our years together have been full and creative and productive—and yes, at times controversial. But always she has helped me, just as, I trust, I have helped her. I’m still amazed by the challenges two human beings can create and resolve for themselves within the inconceivable beauty and mystery of All That Is. Each one of us springs into creativity while All That Is gives us the supreme privilege of doing so—and thus, I feel, constantly surprises itself.

In 1931 in Saratoga Springs, New York, Jane’s father, Delmer Roberts (or Del) chose to exercise the probability that he would leave his wife Marie and their daughter Jane, who was not yet three years old. Marie’s mother, Mary Finn, called Minnie, lived with the family and often served as Jane’s nanny. Jane was a second child following her mother’s earlier miscarriage. Already Marie was showing signs of arthritis. Jane and I came to believe that it was hardly accidental that her mother quickly became bedridden—for life—following the departure of her husband. Minnie Finn was killed by a hit-and-run speeding motorist one icy winter day on her way to the corner store to buy the young girl some shredded wheat for supper—a tragedy that Marie never stopped blaming her daughter for. The two went on welfare. A series of housekeepers, of varying abilities and temperaments and staying powers, were provided for them over the early years. The young Jane spent almost two years in a Catholic orphanage for women while her mother was hospitalized. Some of the housekeepers had been—and some still were—prostitutes, Jane told me. They took care of Marie’s physical needs—tasks that in her later teens Jane would often take care of herself. With welfare’s help Marie set up a telephone answering service for local doctors that she ran from her bed. The two women’s Catholicism became even stricter: it was often bolstered by the head of the local church coming to Sunday dinner at the old two-family house at 92 Middle Avenue, in one of the lower-income sections of Saratoga Springs.

A strong saving grace in all of the personal and household turmoil she lived in, Jane told me often, was her relationship with her maternal grandfather, Joseph Burdo, her “Little Daddy,” as she called him because of his diminutive size. Even as a youngster she had been well aware that she felt psychically connected to him. Joseph Burdo had become estranged from his wife, Minnie Finn, long ago. He was a man of few words, yet he nurtured in his granddaughter a love of nature that she was to cherish for the rest of her life. In Appendix 1, Volume 1 of The “Unknown” Reality, published in 1977, I partially quote Seth as saying that Joseph Burdo was “Part of a very strong entity. However, extremely inarticulate in his last life, due to an inability to synthesize gains in past lives… That is, in his feeling of unity with All That Is, he excluded other human beings....” He lived alone in rented rooms and worked at various jobs in town; he was a doorman, a watchman. He drank and gambled at the local casinos and played the horses at Saratoga Springs’ famous racetrack. He took Jane on walks in the nearby woods. “When he spoke of the wind,” Seth remarked, “she felt like the wind, as any child will unselfconsciously identify with the elements.” He died in 1949 at 68, when Jane was 20 years old.

A year later Jane made the naive mistake of seeking comfort in a marriage to a new friend, Walter Zeh, who was having his own difficult life with just one parent. By then both were attending Skidmore College in Saratoga Springs. Jane was on a liberal arts scholarship awarded to her because of her gifts and work in writing; her husband, a World War II veteran, qualified under a government program and majored in philosophy. Skidmore suspended Jane’s scholarship at the end of her third year because she’d attended an all-night party with three professors and three other students; along with discussions of philosophy there had been drinking and smoking, but very modestly on her part. Her marriage was in the process of breaking up when we met early in 1954. I made no judgments about that relationship. Walt and I got along well.

I packed my suitcase and art materials the day before I was to leave Sayre. At suppertime that night I received a telephone call from Ed Robbins, an old friend I’d gone to art school with in Brooklyn, New York before World War II. The results flowing from that call, which was so of-the-moment, were to change my life forever—and Jane’s too! Ed offered me a job as an artist in his upstate hometown of Schuylerville, some 11 miles east of Saratoga Springs and on the Hudson River. He was writing and drawing the Mike Hammer daily and Sunday comic strips for his friend, Mickey Spillane, and was having trouble meeting those remorseless weekly deadlines for the syndicate that distributed the feature to newspapers coast to coast. Ed knew I’d done comic-book work: would I be interested in helping him get his strips to the syndicate on time? The pay would be good. I could live with him and his wife Ella and their children until I found a place for myself if our arrangement worked out.

Ed told me that his car was in a garage for repairs. Tomorrow he was to take the bus from Schuylerville to mail his weekly set of strips to the syndicate via the faster service provided by the post office in Saratoga Springs. If I drove upstate, he suggested, I could meet him late in the day at the post office, and then we could go out to his place. Evening was approaching at the end of my 200-mile trip when we met. Now Ed had a new idea after we’d become reacquainted. I paraphrase all of his dialogue even though my memory is good: “Bob, there’s a couple you’ve got to meet—her name’s Jane Zeh and her husband is Walt. She writes poetry, did a column for The Saratogian. I think she’s got real ability. They have an apartment here in town, and her mother lives on Middle Avenue. I’d like to see the place where she grew up—it’s not far out of our way out of town...” Ed added that a few days later, on Saturday night, the Zehs were to join a gathering of friends at his and Ella’s home in Schuylerville.

Ed guided me through a poorer section of Saratoga Springs to Middle Avenue. It was almost dark. The narrow “Avenue” had a sidewalk only on his side of the car. On my side was an abandoned red-brick grade school behind a wire fence.

February 2, 1954: I was so struck by Jane’s beauty that I asked her to pose for me soon after we met in Saratoga Springs, New York. She wasn’t to begin creating the Seth material per se until December 6, 1963.

I had kept my very strong feelings for Jane to myself, or so I’d thought, and despaired at the idea of never seeing her again. I was the complete amateur at dealing with the personal interactions of others. I visited Walt and Jane at their apartment in Saratoga Springs and told them I’d be leaving the area. Jane discussed the decision she and Walt had made. Then, directly to me: “I’m leaving town, with or without you. So which is it going to be?” I was quite unprepared, yet knew at once what my answer would be. Even though I’d had no thought of interfering with, or taking advantage of, any complications between them. I can see Walt now, sitting by the window of their second-story apartment’s small living room, nodding at Jane’s words, his eyes wet. There was never a harsh word between us. Jane’s dog, Mischa, slept at her feet. It was only after Jane had begun the Seth material a number of years later that we realized that she and Walt, both coming from dysfunctional families, had chosen to come together at just the right time for their own mutually creative learning purposes—and that with those purposes fulfilled, each of them was ready to move on by the time I met them. At the time, however, I wasn’t ready to consciously understand such interlocking emotional relationships even though I was playing a part in one of them.

During this time also Jane’s mother, Marie, lost her home in Saratoga Springs, NY, and was placed in a state-run nursing home in nearby Middle Grove. Through the mail mother and daughter patched up their volatile relationship enough to begin exchanging letters fairly regularly. Jane never told Marie about the Seth material, or her symptoms. Marie even accepted me as her daughter’s husband. The two gave each other Christmas gifts. Jane sent her mother nightwear and stationery and other small useful presents. Marie always sent her daughter sweaters that she had knitted with great difficulty because of her misshapen fingers; invariably the garments were too large. Seth suggested that Jane not wear them in any case because of the roiled emotions that had existed between the two almost from Jane’s birth; gifts from the mother could still carry those feelings. Mother and daughter were to never meet again: Marie died shortly before 1975. By then it wasn’t easy for Jane to travel, and we didn’t make the approximately 400-mile roundtrip to attend the funeral. Later the nursing home was closed by the state. A mutual friend sent us photographs of the big old red-brick building, three stories high, shuttered and dark and deserted among the trees and in the snow.