“Seth material” search engine (Jane Roberts)

He thought you discouraged deep conversation unless there was some crisis that brought about a confrontation. He could not admit his fears to himself nor share them with you. He completely lacks the ability to discuss normal fears and worries in any kind of neighborhood contact—with girl friends. The fears finally became so charged that all normal discussion was out of the question. He used ideas of positive thinking to squash the fears down more securely. Their charge was so strong that he felt you were as frightened of them as he was, and therefore to discuss them would threaten you also.

(In an emotional way Jane also expressed some fears about her mother. She caught herself not wanting to admit these, but we talked it out. My mother also entered the conversation, etc. Jane did express herself with emotion. Resume at 10:23.)

He keeps minute by minute count of you when you are working—all unaware, yet he makes it a point not to ask you about your painting a good deal of the time. To show concern you see to his way of thinking would be to admit, even briefly, he has any fears at all regarding your work. The charge had so built up that if you had one bad afternoon painting, he saw this as a sign of complete failure on your part; and he did the same with his own work.

To give expression to a need for help, or to show a need for comfort would be seen as weaknesses in your eyes. You felt that other people were weak, indecisive, stupid, ridden by fears. This is his interpretation of your feelings. To admit a need for comfort or to admit fears would put him, in your eyes, in the same category as all these others.