“Seth material” search engine (Jane Roberts)

He could not give himself well in your personal intimate relations because it was with you most of all that he had to watch his expression. The fears had to be kept away from you or the game was up. He could not afford then to let go. He thinks fears are an admission of helplessness, that you always wanted someone who was free and independent, and that you would have no use for anyone in that position.

He felt you were ashamed of his background and did not want him to discuss it. (Pause.) Give us time. (Pause.) When he goes to see your father he feels guilty because he is not seeing his mother, who is also in a home. He feels that your mother is gloating, having gotten rid of the father, and he is afraid of your family home for fear it might trap you both. He did not want any of your belongings or yours in it.

The weight is also related to his grandfather, and an identification with the grandfather, who was very thin, and who left Ruburt’s mother, living alone. The same characteristics go along with the identification—the refusal to argue, the fear of argument, of overt protest, and of silent protest; fasting as a method of protest.

When Rebellers was published your attitude was a poor one, but it was drastically received by our friend, who could not understand it and felt then and there that you no longer loved him as you had. Because he felt you loved him for his talent alone, then his books became also gifts to you beside their meaning for himself. But not only gifts as much as reassurances, you see. “I still have my talent. I am using it, so you can love me.”