“Seth material” search engine (Jane Roberts)

Now certain habits should automatically drop away if the game is played correctly. He is not dressing with the freedom of an ordinary healthy good-looking young woman, for example, so he must dress for the role in his “as if” game. Healthy women do not dress to cover up their bodies, to hide their knees or their arms. They dress to show them off.

It shows however a lack of freedom in a pivotal situation. I said pivotal because the dressing brings together both the idea of mobility and womanliness—both past areas of mistrust. The sexual area also combines both the lack of mobility and the womanly aspects, so freedom and the “as if” game in these areas is doubly important and vital.

Again, here particularly the game should not be carried out resolutely but with an idea of imaginative fun. There need be no decision on Ruburt’s part to wear short skirts all the time, for example. That would not be freedom either.

Spending money as Ruburt has been doing, and his freedom with his creative-writing money, will give him more. In this area, and in taking on greater rent, you act on the trust that more is available, and so it has been and will be.

This also applies—this trust of open warmth—to internal data, psychic information and inner experiences. If you allow yourself the freedom you can draw for inspiration not only from this life’s experience, but for your painting use visual memory from your other existences.