“Seth material” search engine (Jane Roberts)

You know that physical symptoms are the materialization in the body of inner dis-ease. They are apparent and easily recognized. Now, not writing poetry was also a symptom of inner disease, not so readily recognized as such. While the intuitional abilities first appeared in poetry, and while the poetry in one way was a channel into other areas, the poetry was not meant to be shut off because new areas were opened.

In Ruburt’s case therefore the distrust of spontaneity was indeed reflected in all areas of his life, particularly in spontaneous activities in both physical and creative realms. The sexual portion of his being also reflected the blockage in spontaneity. No problem therefore will be expressed in one way only. You are highly creative creatures. As the joy of life is reflected in all of your acts, affecting your work, bodies, environment and the people you meet, so your problems are also faithfully reflected in all of these areas.

Sitting down at the desk to write poetry, the act and intention automatically reminds Ruburt of all the times that he has written poetry before, and primes the pump, so to speak. When this is done, as it was this evening, easily, getting up and down from the floor does the same thing physically, reminding the body and the mind of successful performances in the past. With each success, the failures fade away. The same applies to running. Ruburt does not need his conscious mind to perform as a guardian. It is indeed the spontaneous self, as he is now realizing, who is the guardian.

Contradictory feelings can also be expressed through the body, tell him. Remind him. Tell him also to shake his arms downward from both the elbow and the shoulder, and in a playful manner, as if he were a rag doll perhaps. His idea about the morning symptoms was correct—knowing this will minimize them.

Now. We hope to do more along those lines, for even though (smile) I am doing my own book, I will help Ruburt on his, and he could use a few projection episodes during sessions. (Humorous and emphatic.) It was also a way of getting him out of the way the other evening, so that I could work in peace on my book. It was rather a displacement of consciousness rather than a projection, for his consciousness was in a trance state, and then displaced to the bookcase area. (About six feet away.)

And I never was a daemon.

(10:38. Seth’s humorous, emphatic ending referred to a passage I had come across in Blavatsky’s book The Secret Doctrine. The passage referred to a biblical Seth, and to a Seth who was an Egyptian god, who ended up as a daemon, etc.)