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TPS1 Deleted Session April 15, 1970 8/53 (15%) poetry symptoms daemon displacement bookcase
– The Personal Sessions: Book 1 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session April 15, 1970 Wednesday

[... 10 paragraphs ...]

Sitting down at the desk to write poetry, the act and intention automatically reminds Ruburt of all the times that he has written poetry before, and primes the pump, so to speak. When this is done, as it was this evening, easily, getting up and down from the floor does the same thing physically, reminding the body and the mind of successful performances in the past. With each success, the failures fade away. The same applies to running. Ruburt does not need his conscious mind to perform as a guardian. It is indeed the spontaneous self, as he is now realizing, who is the guardian.

[... 19 paragraphs ...]

When he allows himself spontaneity his true vitality returns, and the feeling of joy, active joy, that he has so often missed. My word to him now then, for the 100th time—but now he will take it—is to allow himself spontaneity on a daily basis, the feeling of playfulness. A clue incidentally that his vitality is returning: he has not been nearly so tempted to nap, particularly in the afternoon.

[... 4 paragraphs ...]

Now the last time I told you that a period of excellent improvement could be expected in his condition, it followed. Do you remember?

[... 1 paragraph ...]

I tell you this now again, except that the improvement should be far more startling: the time and the season and Ruburt’s psychological state are right. This is why I have taken the time from my book for this session, and the other recent ones for him. Therefore see that my suggestions are followed.

The hints on spontaneity that have been given this evening, again, may sound simple, but they are highly significant, and Ruburt will know when, subjectively, he is being spontaneous. At one time he could not tell the difference.

[... 1 paragraph ...]

The next time we try a displacement of consciousness, we will put him on the other side of the bookcase (as Seth, Jane pointed).

[... 4 paragraphs ...]

(Seth’s voice again stepped up in volume—louder than I had heard it for some time.)

[... 3 paragraphs ...]

Now I wish you a fond good evening, and this has not been a recording. (Still loud and strong.) I intend to speak with our beloved and sometimes knuckle-headed friend this evening in the dream state, and make some points that I have not made this evening. It will serve him well, and we will not need session time to do it. (Loud.)

[... 2 paragraphs ...]

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