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TPS1 Deleted Session April 15, 1970 16/53 (30%) poetry symptoms daemon displacement bookcase
– The Personal Sessions: Book 1 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session April 15, 1970 Wednesday

[... 4 paragraphs ...]

Now a few notes, not pertaining to the book.

[... 1 paragraph ...]

You know that physical symptoms are the materialization in the body of inner dis-ease. They are apparent and easily recognized. Now, not writing poetry was also a symptom of inner disease, not so readily recognized as such. While the intuitional abilities first appeared in poetry, and while the poetry in one way was a channel into other areas, the poetry was not meant to be shut off because new areas were opened.

[... 3 paragraphs ...]

Sitting down at the desk to write poetry, the act and intention automatically reminds Ruburt of all the times that he has written poetry before, and primes the pump, so to speak. When this is done, as it was this evening, easily, getting up and down from the floor does the same thing physically, reminding the body and the mind of successful performances in the past. With each success, the failures fade away. The same applies to running. Ruburt does not need his conscious mind to perform as a guardian. It is indeed the spontaneous self, as he is now realizing, who is the guardian.

[... 2 paragraphs ...]

Now. Tell him to leave his body alone with his conscious mind in the same way that he leaves a poem alone with his conscious mind when it is forming— to think of his body as a poem.

Give us a moment. It is not now so much a matter of relaxing, as going joyfully along with. Now this is what I have been after. The position (emphatic) of the arms has symbolically represented the degree of resistance to spontaneity. At his worst the arms would be like this, you see, as if to hold back—

[... 4 paragraphs ...]

He learned, or relearned, something quite important this evening with the poetry—the feeling of spontaneity and creativity, and will be able to apply some of this now to the physical condition. A more playful attitude should be adopted when he gets up and down from the floor, and in the running. Have him see himself on the floor, for example, and get there without too much concentration upon the method or the muscles used, as this will take care of itself.

Now his contract (for the dream book) is assured, and tell him I said so.

[... 5 paragraphs ...]

Tell him that he produces books as naturally as a tree produces leaves. He does not have to try so hard then. When he lets himself alone this happens naturally. Now this may sound redundant, but he has been listening to me rather well of late, and I know that there is significance even behind the obvious words I speak.

Some of all the difficulty in the past few years has been the result, simply, of Ruburt’s coming to maturity, and the episode could have been far worse. His system now has more than stabilized, and is now in the process of complete recovery. Therefore I want him to understand how best to help himself along by letting himself alone.

[... 2 paragraphs ...]

When he allows himself spontaneity his true vitality returns, and the feeling of joy, active joy, that he has so often missed. My word to him now then, for the 100th time—but now he will take it—is to allow himself spontaneity on a daily basis, the feeling of playfulness. A clue incidentally that his vitality is returning: he has not been nearly so tempted to nap, particularly in the afternoon.

[... 3 paragraphs ...]

Now. We hope to do more along those lines, for even though (smile) I am doing my own book, I will help Ruburt on his, and he could use a few projection episodes during sessions. (Humorous and emphatic.) It was also a way of getting him out of the way the other evening, so that I could work in peace on my book. It was rather a displacement of consciousness rather than a projection, for his consciousness was in a trance state, and then displaced to the bookcase area. (About six feet away.)

Now the last time I told you that a period of excellent improvement could be expected in his condition, it followed. Do you remember?

[... 1 paragraph ...]

I tell you this now again, except that the improvement should be far more startling: the time and the season and Ruburt’s psychological state are right. This is why I have taken the time from my book for this session, and the other recent ones for him. Therefore see that my suggestions are followed.

[... 3 paragraphs ...]

Now, do you have questions about your painting, or of your own?

[... 4 paragraphs ...]

Now the energy that I am using now is also being made available for Ruburt (louder), and now he is no longer afraid to use it joyfully, and it will straighten out his arms and release some of the crooked ideas that he has in that head of his.

[... 2 paragraphs ...]

Now I wish you a fond good evening, and this has not been a recording. (Still loud and strong.) I intend to speak with our beloved and sometimes knuckle-headed friend this evening in the dream state, and make some points that I have not made this evening. It will serve him well, and we will not need session time to do it. (Loud.)

[... 2 paragraphs ...]

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