“Seth material” search engine (Jane Roberts)

(9:15.) The dream made its point, whether or not you read the article that later appeared (in the Elmira paper). The dream made its point, in fact, whether or not you remembered it, though you did. You remembered it because you wanted to bring into your conscious range instances of your own greater knowing. The portion of you that formed the dream knew of the pollution; but also knew of the award, the newspaper article, and of your habit of reading the evening’s paper. All of that involves a psychological motion of natural, magical import. It shows you that the rules of the rational world are filled with holes. It shows you that the rational world’s views do not represent the bulwarks of safety, but are instead barriers to the full use of the intellect, and of the intuitions.

Now when you understand that intellectually, then the intellect can take it for granted that its own information is not all the information you possess. It can realize that its own knowledge represents the tip of the iceberg. As you apply that realization to your life you begin to realize furthermore that in practical terms you are indeed supported by a greater body of knowledge than you consciously realize, and by the magical, spontaneous fountain of action that forms your existence. The intellect can then realize that it does not have to go it all alone: Everything does not have to be reasoned out, even to be understood.

“Years ago, after my brothers and I had left 704 to follow our own life paths, the Brenner family had built a house next door to our parents’ place. This represents a contradiction in the dream — or, rather, that I tried to combine two spans of time. On a summer evening after dusk in the dream, I went for a walk with Floyd Waterman (I’ll call him), a ‘real’ friend from Elmira who was visiting me. Floyd is a contractor.

“The statue of the deer represents that idealistic image of the past; finding it broken in Brenner’s yard connects its real environment where Rob lived as a small boy [on Harrison Street] to Wilbur Avenue where he lived later; meaning that he’d idealized both backgrounds. The statue of the deer, an inanimate animal, contrasts with the waste left by a living animal. Idealized ones, statues, don’t leave waste, but they don’t live either.

“Floyd Waterman represents someone who has a connection with living animals in the present [on his farm], and connects the times in the dream, since he also is in the construction business and does carpentry work —and the man who owned the deer was a carpenter. Rob’s also had other dreams involving Floyd and animals. …”