“Seth material” search engine (Jane Roberts)

The rational approach of course suits certain kinds of people better than others, even while it still carries its disadvantages. You have been living in an industrialized, scientific society, so that the benefits and the great disadvantages of the rational approach appear everywhere in the social and political world. Artists of any kind find such an approach the least friendly, for it directly contradicts the vast thrust of man’s creativity in several important areas. You, however, and Ruburt, do have evidence that hardbed reality is quite different. In the past you have both felt at some disadvantage yourselves, feeling our work to be theoretically fascinating, creatively valid, but not necessarily containing any statement about any kind of “scientifically valid” hardbed reality. (All with much emphasis.

Now: In one dream when you were asleep, when you were seemingly not rational, when your intellect was seemingly not operating, you perceived information about your past physical environment. You saw your old neighborhood (on June 10, 1980)¹ — the Brenner’s place, with animal and industrial waste all over the yard. Symbolically you saw the situation in your own fashion, but you knew that the Brenner’s property had been polluted. You still have a love of that area. You are in a certain correspondence with it. In a fashion, you keep your eye out for information regarding it.

You are also somewhat idealizing the past, however, so you did not simply get the information “straight on,” but you received it in such a fashion that it made its own psychological points also, and was furthermore wound into other action not only within that dream, but in a series of dreams.

Ruburt has had some release in the past week of the jaw, neck, and shoulder areas. His eyes at times, on three or four occasions, read remarkably better. For some time his ankles and knees have had greater freedom of motion — in certain motions — but all such evidence is ignored, largely — or worse, it is viewed ironically, since he is not walking any better.

“Rob’s dream states quite clearly, precognitively, about the pollution of the Brenner property from the supermarket just up the street. Many of Rob’s dreams have involved a nostalgic view of the past, plus questions of safety and danger. I think he picked up on the precognitive element to show himself that his pictures of the past were too idealistic.

“The statue of the deer represents that idealistic image of the past; finding it broken in Brenner’s yard connects its real environment where Rob lived as a small boy [on Harrison Street] to Wilbur Avenue where he lived later; meaning that he’d idealized both backgrounds. The statue of the deer, an inanimate animal, contrasts with the waste left by a living animal. Idealized ones, statues, don’t leave waste, but they don’t live either.