“Seth material” search engine (Jane Roberts)

Now: In one dream when you were asleep, when you were seemingly not rational, when your intellect was seemingly not operating, you perceived information about your past physical environment. You saw your old neighborhood (on June 10, 1980)¹ — the Brenner’s place, with animal and industrial waste all over the yard. Symbolically you saw the situation in your own fashion, but you knew that the Brenner’s property had been polluted. You still have a love of that area. You are in a certain correspondence with it. In a fashion, you keep your eye out for information regarding it.

Ruburt’s state of mind was in correspondence with your own state of mind, even as you are in some kind of correspondence with your old environment, so in these cases you have a free flow of information at other levels.

You picked up the information about the Brenners because you were in correspondence with that environment. You picked up inner evidence in that regard. You ignored countless other bits of information. Ruburt picked up your own camera activities because he was in correspondence with you. He must be in correspondence with the evidence of mobility that his body tries to give him, so that it can build up a new picture of his body.

“The statue of the deer represents that idealistic image of the past; finding it broken in Brenner’s yard connects its real environment where Rob lived as a small boy [on Harrison Street] to Wilbur Avenue where he lived later; meaning that he’d idealized both backgrounds. The statue of the deer, an inanimate animal, contrasts with the waste left by a living animal. Idealized ones, statues, don’t leave waste, but they don’t live either.