“Seth material” search engine (Jane Roberts)

Now: In one dream when you were asleep, when you were seemingly not rational, when your intellect was seemingly not operating, you perceived information about your past physical environment. You saw your old neighborhood (on June 10, 1980)¹ — the Brenner’s place, with animal and industrial waste all over the yard. Symbolically you saw the situation in your own fashion, but you knew that the Brenner’s property had been polluted. You still have a love of that area. You are in a certain correspondence with it. In a fashion, you keep your eye out for information regarding it.

“As Floyd and I cut across the court I saw that the Brenner’s lawn was despoiled with a mixture of animal and industrial waste, like pollution. ‘What’s that?’ I exclaimed to Floyd, as I saw a large dark shape near the hickory tree. At first shock I thought it was a deer that might have been killed by a car the night before, say. It lay on its side with its back to us. Then to my amazement I saw that the supposed animal was actually the broken remnants of a hollow, life-sized metal statue of a deer that had stood for years in the front yard of a house on Harrison Street, in Sayre, at the other end of town. The house had been owned by the Maynards, who had no children. When my next-youngest brother and I were in grade school, our family had lived a few houses down Harrison from the Maynards. Mr. Maynard had been a carpenter. He and his wife and my parents had been friends. All of us kids in the neighborhood had been fascinated by the deer, which had been painted brown. We had climbed all over it. My father had photographed it.

“Now I saw, again to my surprise, that the deer had been broken in pieces and lay in the Brenner’s front yard, where the hickory tree had stood a moment ago. I exclaimed to Floyd Waterman that vandals had done the damage — young kids that I knew were causing trouble in the neighborhood. They’d broken off the animal’s legs. The Brenner’s front door was open and I saw the warm yellow light in their living room. I knew that I had to run into their house and tell them about the poor broken deer lying in their front yard.”

“The statue of the deer represents that idealistic image of the past; finding it broken in Brenner’s yard connects its real environment where Rob lived as a small boy [on Harrison Street] to Wilbur Avenue where he lived later; meaning that he’d idealized both backgrounds. The statue of the deer, an inanimate animal, contrasts with the waste left by a living animal. Idealized ones, statues, don’t leave waste, but they don’t live either.

“Floyd Waterman represents someone who has a connection with living animals in the present [on his farm], and connects the times in the dream, since he also is in the construction business and does carpentry work —and the man who owned the deer was a carpenter. Rob’s also had other dreams involving Floyd and animals. …”