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TMA Session Three August 13, 1980 11/82 (13%) magical intellect Mary rational pad
– The Magical Approach
– © 2011 Laurel Davies-Butts
– Session Three: Man and Other Species. Mistakes as Corrective Action. Definition of the Magical Approach
– Session Three August 13, 1980 8:57 P.M., Wednesday

[... 2 paragraphs ...]

(I finished typing the last half of Monday’s session just before the session tonight. I reminded Jane that I think it’s an excellent one, and that I want to type copies for us of the material between 9:15 and 9:36, wherein Seth explains that the intellect needs to realize that it doesn’t have to go it alone, that it is supported and aided by other portions of the self. I think this insight can help Jane greatly. I also told her I want to quote portions of Monday’s session in Seth’s current book, Dreams.

[... 1 paragraph ...]

(At least, I told Jane tonight after I’d remembered that I’d forgotten to clip the article for my predictions file, we know where the article is on file, where it can be located if necessary: at the newspaper office. I speculated about the reactions of public personalities when their predictions don’t work out. I hoped their errors are not rationalized, or made just for the publicity, since the psychics have to live with them. We’ll keep a lookout for any follow-up articles on the subject, but I suppose it will die like any other item in yesterday’s news. What do the predictors secretly think in such situations, though? No one is perfect. Jane hasn’t tried to predict similar events. For some of Jane’s predictions see Appendix A.

[... 20 paragraphs ...]

(Long pause.) He also felt that the questioning power of the intellect was not just one of its functions — which it is — but its primary purpose, which it is not. In your terms the intellect’s primary function is to make clear deductions and distinctions involving the personality’s relationship with the world. Your society, however, has indeed considered the rational approach to be the masculine-favored one — so Ruburt had an additional reason in that regard to be such a proponent of the rational approach. All of the beliefs connected with the sex were of course erroneous, but they were part and parcel of that “rational” framework itself.

[... 1 paragraph ...]

The magical approach takes it for granted that the human being is a united creature, fulfilling purposes in nature even as the animals do, whether or not those purposes are understood. (Pause.) The magical approach takes it for granted that each individual has a future, a fulfilling one, even though death may be tomorrow. The magical approach takes it for granted that the means for development are within each individual, and that fulfillment will happen naturally. Overall, that approach operates in your world. If it did not, there would be no world. If the worst was bound to happen, as the scientists certainly think, even evolution, in their terms, would have been impossible, of course — a nice point to put somewhere (all intently).

[... 3 paragraphs ...]

One note: Do have Ruburt tell you how he is doing moodwise, for now you can help him there. He must realize that relaxation is also a part of the creative process. Left alone, he would do “the right thing.” We will continue this discussion at our next session, and in the meantime be on the lookout for other hints and clues that will bring you a better idea of the magical approach.

[... 11 paragraphs ...]

“‘Have you ever noticed,’ I said to Jane the other day, ‘that everything on earth remains the same except human activity?’ Jane has heard it all before. It’s one of my favorite notions, and one from which I draw — with my own kind of perverse humor, it seems — great comfort and stability.

“I could list hundreds of examples of what I mean. This is one of those obvious ideas that seem childish once it’s thought of. I don’t care whether or not it’s a profound thought; it has meaning for me. But as far as I know, we humans are the only species that’s obsessed with ‘change’, and ‘progress’, and ‘controlling or mastering nature’; with learning about our past and with charting our future. We strive toward an impossible, or at least rosy, future in which we will have met all of our challenges, so that we’ll live in some sort of unreal wonderland on earth. What do we do next — or will we give up on that idea too? Perhaps we’ll spend all of our time contemplating each other!

“Anyhow, each morning when I scatter birdfeed in the driveway of the hill house, the cardinals and the mourning doves, the chickadees and the blue jays and the other birds are waiting in the nearby Russian elms, the oak tree, or lined up on the telephone wires. Their behavior is the same each morning. If Jane and I and our house evaporated between one day and the next, and our lot was magically transformed into its native habitat, the birds would simply switch to ‘natural’ seeds instead of consuming the sunflower seeds, millet and other grain products that our marketplace so conveniently packages for them.

[... 3 paragraphs ...]

“So what about acid rain, say, to name but one human creation that’s having a strong effect upon the earth’s surface and aerial environments? We’re told that it’s now evident in a number of places on earth — often downwind from certain kinds of industrial activity. As to be expected, industry owners and operators maintain that their plants have little or nothing to do with the creation of the dead lakes in the Adirondacks in New York State, for example, or in certain Canadian provinces across the Great Lakes.

[... 8 paragraphs ...]

“I was not conscious of my age, 61, in the dream, nor do I remember anything about being committed to draw a daily strip also. I had a much younger assistant who reminded me of Tom Lantini, an artist friend who had been a year behind me in Sayre High, our hometown school in Sayre, Pennsylvania. In the dream, I’d left certain areas blank in the panels making up the Sunday page, and my nameless assistant had done the art to fill in those places. My main character, a male who wore a tight-fitting Superman-type costume with a flowing cape, occupied a space several panels high right in the middle of the page — quite a daring concept for a comic layout. I knew the character type well because in the early 1940s, in ‘real’ life, I’d been one of the artists who had drawn the very popular comic-book hero, Captain Marvel. My dream character stood confidently facing the reader — except that I’d omitted drawing his head! My assistant had drawn the head, though, on a small separate piece of board, and protected it with a piece of tracing paper. I thought the head was too small, but well done, quite youthful with curly black hair and handsome features, as one would expect such a magical character to have. I also saw that the head was almost too youthful for the strong physique of the character I’d drawn, although I wasn’t critical of this. All that remained was for the printer to fit the head and the body together. I sat at the drawing table examining the assistant’s work.”

[... 11 paragraphs ...]

“Difficult to recall, and what I do recall makes no sense to me at all. In vivid color: I dreamed that Jane and I were eating at a little table in an open-air restaurant or cafe-type setting. It was a beautiful summer day. Our friend Mary came up to us. She was by herself and I don’t recall her saying anything to us. She was carrying a large sketch pad, perhaps a 22-by-30-inch size. One would expect the pages of the pad to be white, ready for drawing. Instead, as Mary lifted the cover of the pad, holding the pad out for Jane and me to see, we saw that the top page was covered by a lovely large floral pattern of leaves and flowers, as one might see on bedsheets these days. I examined several pages of Mary’s pad and saw that all of them were covered by the same design, in reds and greens, etc. The pattern made the pages of the pad quite useless for their ordinary purpose. I woke up several times with this dream in mind, telling myself to remember it.”

[... 10 paragraphs ...]

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