1 result for (book:tma AND heading:"session three august 13 1980" AND stemmed:mayb)

TMA Session Three August 13, 1980 2/82 (2%) magical intellect Mary rational pad
– The Magical Approach
– © 2011 Laurel Davies-Butts
– Session Three: Man and Other Species. Mistakes as Corrective Action. Definition of the Magical Approach
– Session Three August 13, 1980 8:57 P.M., Wednesday

[... 62 paragraphs ...]

“Another great dream of Rob’s. In our sessions lately Seth has been talking about the natural self or natural person, saying that it is also the magical person. In this dream Rob is in the process of working out that idea, visually. His closest connection to magic would be his comics experience when he drew Captain Marvel — a magical character. The resulting image, in two parts, shows that the idea is almost completed in his mind, just needing to be put together. In the dream he sees himself returning to the comics, only the Sunday edition (special), and the superhero character is much more prominent than the comics would ordinarily have it; the smaller head representing, I think, the idea that the intellect’s place is smaller or of a lesser nature than he earlier supposed. At dream’s end Rob says that the head was almost too youthful for the body he’d drawn — maybe a reminder that the natural person is younger in ways than the intellectual self. I think that Rob is himself in the dream, represented by the super character as the magical self; and also that he is the assistant who had prepared the figure’s head.

[... 9 paragraphs ...]

“A terrific little dream that beautifully states its message: Mary’s ideas of romance and making love (represented by modern-day flowered sheets) are being transposed from the bedroom into the area of her art, and in a way that mars the art itself. The transposition of the flowered designs of bedsheets to sheets of paper is great; Rob chose a sketch pad rather than, say, typing paper, I think, because painting is his art while Mary’s is writing. Also perhaps to make connections with Mary’s sketches of her own life. Maybe by using his own art symbol, the sketch pad instead of the typing paper, Rob reinforced the idea of Mary’s conflicts about the nature of her own work.

[... 8 paragraphs ...]

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