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TMA Session Three August 13, 1980 5/82 (6%) magical intellect Mary rational pad
– The Magical Approach
– © 2011 Laurel Davies-Butts
– Session Three: Man and Other Species. Mistakes as Corrective Action. Definition of the Magical Approach
– Session Three August 13, 1980 8:57 P.M., Wednesday

[... 10 paragraphs ...]

I have myself heard it said that other creatures behave with a natural grace, save man. I have myself heard it said that all of nature is (pause) content unto itself save man, who is filled with discontent. Such thoughts follow “naturally” the dictums of so-called rational thought. When you think such thoughts, you think of them at the most strained level of intellectual speculation — that is, the thoughts seem self-evident to the intellect that is forced to operate by itself, relatively speaking, divorced from the self’s other faculties. It then does indeed seem that man is somehow apart from nature — or worse, an ungrateful blight, almost a parasite, upon the face of the planet.

[... 18 paragraphs ...]

In your dream3 you were, of course, in the process of forming new ideas about the nature of the magical self (through my art) and also in your way working that idea out through imagery. The dream is above all an example of “work” being done at other levels of awareness.

Ruburt’s [recent] mental conversation with “Mary,”4 and your own dream about Mary with the sketchbook sheets5 — all of these experiences are indications of the exquisite kind of reasoning that goes on at the levels of awareness that are usually considered unreasonable. That kind of material enriches the intellect and reassures it.

[... 8 paragraphs ...]

(“I’d say that a great memory must be involved here, coupled on deeper levels with a shortening of time as we think of it. Seth’s abilities remind me of material I’ve written recently on how certain portions of the personality or psyche must very shrewdly and carefully construct dreams in advance, so that when the dreams are played back they render just the right message to the parts of the psyche that need it. I’m not being contradictory here when I write that the dream is a spontaneous production, also.

[... 40 paragraphs ...]

The individual I painted in 1968 is very similar to the magical “Captain Marvel” kind of character I created 12 years later, in my dream in 1980. I do not claim any connections between the two, although some may exist on other than conscious levels.

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