1 result for (book:tma AND heading:"session three august 13 1980" AND stemmed:self)
[... 2 paragraphs ...]
(I finished typing the last half of Monday’s session just before the session tonight. I reminded Jane that I think it’s an excellent one, and that I want to type copies for us of the material between 9:15 and 9:36, wherein Seth explains that the intellect needs to realize that it doesn’t have to go it alone, that it is supported and aided by other portions of the self. I think this insight can help Jane greatly. I also told her I want to quote portions of Monday’s session in Seth’s current book, Dreams.
[... 7 paragraphs ...]
I have myself heard it said that other creatures behave with a natural grace, save man. I have myself heard it said that all of nature is (pause) content unto itself save man, who is filled with discontent. Such thoughts follow “naturally” the dictums of so-called rational thought. When you think such thoughts, you think of them at the most strained level of intellectual speculation — that is, the thoughts seem self-evident to the intellect that is forced to operate by itself, relatively speaking, divorced from the self’s other faculties. It then does indeed seem that man is somehow apart from nature — or worse, an ungrateful blight, almost a parasite, upon the face of the planet.
[... 2 paragraphs ...]
(Pause.) The intellect has been taught to divorce itself from its source. It realizes in that regard a sense of powerlessness, for to some extent it is philosophically cut off from its own source of power. When it looks, therefore, at the world of political events, the problems seem insoluble. Man makes many decisions that may seem quite wrong to the intellect because of its belief systems, and because it is so cut off from other sources of information. A goodly number of those mistaken decisions, or “poor moves,” often represent self-corrective actions, decisions taken on knowledge not consciously perceived, but this escapes your consciousness.
(9:14.) In the same way, some private-life decisions or events may appear disadvantageous to the intellect for the same reasons, while instead they are also self-corrective measures that you are not able to perceive because of your beliefs. The rational approach, as it is now used, carries a basic assumption that anything that is wrong will get worse. That belief of course is highly detrimental because it runs against the basic principles of life. Were this the case in your terms of history, the world would never have lasted a century. It is interesting to note that even before medical science, there were a goodly number of healthy populations. No disease rubbed out the entire species.
[... 14 paragraphs ...]
In your dream3 you were, of course, in the process of forming new ideas about the nature of the magical self (through my art) and also in your way working that idea out through imagery. The dream is above all an example of “work” being done at other levels of awareness.
[... 32 paragraphs ...]
“Another great dream of Rob’s. In our sessions lately Seth has been talking about the natural self or natural person, saying that it is also the magical person. In this dream Rob is in the process of working out that idea, visually. His closest connection to magic would be his comics experience when he drew Captain Marvel — a magical character. The resulting image, in two parts, shows that the idea is almost completed in his mind, just needing to be put together. In the dream he sees himself returning to the comics, only the Sunday edition (special), and the superhero character is much more prominent than the comics would ordinarily have it; the smaller head representing, I think, the idea that the intellect’s place is smaller or of a lesser nature than he earlier supposed. At dream’s end Rob says that the head was almost too youthful for the body he’d drawn — maybe a reminder that the natural person is younger in ways than the intellectual self. I think that Rob is himself in the dream, represented by the super character as the magical self; and also that he is the assistant who had prepared the figure’s head.
[... 18 paragraphs ...]