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TMA Session Thirteen September 24, 1980 6/43 (14%) mixups triplets novel box mall
– The Magical Approach
– © 2011 Laurel Davies-Butts
– Session Thirteen: Rob Using the Magical Approach. Precognition
– Session Thirteen September 24, 1980 9:24 P.M., Wednesday

ROB USING THE MAGICAL APPROACH. PRECOGNITION.

[... 2 paragraphs ...]

(Just before we sat for the session Jane finished reading my account of my “light of the universe” experience of last Sunday evening, September 21, and my account of the experience involving … clairvoyance … precognition … that I’d had at naptime today, involving my idea for a novel and an article in tonight’s Star-Gazette, Elmira’s daily newspaper. I describe both of these events in my dream notebook.

(“I wish there were words to use besides clairvoyance or precognition,” I said, since I was somewhat reluctant to attach them to the newspaper experience. That is, at the time I hadn’t had any feeling that those qualities or terms might apply to what I’d sensed — nor do I now. Perhaps I was merely afraid the experience wasn’t clairvoyant, I said, yet I felt our vocabulary was limited in some indefinable way in such cases. A copy of my newspaper experience is attached to this session.1

[... 5 paragraphs ...]

In your terms, whether a minute or 10 minutes, or an hour or two hours were involved, you reacted ahead of time to a headline that you had not as yet physically encountered. You reacted creatively, using the precognitive story as a basis for a fictional endeavor. You turned it to art’s purposes.

[... 1 paragraph ...]

The idea, then, of the novel came from past and future events, though you were to catch up with those future events very quickly. Your mind intuitively organized all of that material, and put it together in a completely new fashion. Sometimes when such events occur, the precognitive trigger is not even recognized when it is encountered physically, because it happens too far ahead of time. (To me:) You organize mental and physical events in a creative manner. In this case a novel was involved because the concept, while strongly involving images, carried a time span that would make narrative necessary.

[... 3 paragraphs ...]

This will be a very brief session. When you look at world events, however, the present world situation for example (the war between Iraq and Iran, which began a few days ago), try to enlarge the scope of your intellectual reach, so that you consider world events as living multidimensional “novels” being formed in the present in response to both future and past triggers. The impact of the future on the past, in your terms — or rather, the implications of the future on the present — are highly important, and such precognitive reactions are as vital, numerous, and real as you ordinarily think that the reactions to past events are (intently).

[... 25 paragraphs ...]

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