“Seth material” search engine (Jane Roberts)

Science might admit that the novel idea itself was highly creative, an example of the mind at play as it used experience as a creative raw product — but of course you had your experience before you read the article. And when that kind of thing happens science then proclaims that the two events are not connected to each other at all, but are instead the result of coincidental patterns.

In your terms, whether a minute or 10 minutes, or an hour or two hours were involved, you reacted ahead of time to a headline that you had not as yet physically encountered. You reacted creatively, using the precognitive story as a basis for a fictional endeavor. You turned it to art’s purposes.

The idea, then, of the novel came from past and future events, though you were to catch up with those future events very quickly. Your mind intuitively organized all of that material, and put it together in a completely new fashion. Sometimes when such events occur, the precognitive trigger is not even recognized when it is encountered physically, because it happens too far ahead of time. (To me:) You organize mental and physical events in a creative manner. In this case a novel was involved because the concept, while strongly involving images, carried a time span that would make narrative necessary.

The events themselves discussed in the newspaper article point up the same kind of magical affiliations. The c-e-l-l-s (spelled) of the young men in question were always in communication, and all of those elements needed to bring about such a reunion took place at that magical level of activity. Consciously, intellectually, the boys had no idea they were triplets. You live personally in a world of lush creative ideas. Your intellect is aware of that. (Pause.) It is used to working creatively. The focused intellect can indeed activate the intuitive abilities — and the healing abilities. You get what you concentrate upon.

The same occurs, of course, in all areas of human behavior, as well as in the behavior of animals and even of plants. This future shadowing the present, or future illuminating the present, represents a vital element in the formation of events as they are perceived in time. In a fashion the triplets were reacting in their past to a future event that has now caught up with them, so that each of their actions in any moment of that past happened as a result of a tension — a creative tension — between the event of their original separation and the event of their future reunion.

I do not mean that the reunion was inevitable or predestined, but the vigor of that probability, you might say, magnified the original tension. I want Ruburt to apply all of this to his own situation, both in terms of creative endeavors and his physical situation, so that he begins to understand that he can start to react in the present to a future recovery.

It did not give you the bare headline, however — even though that and the story were perceived far too quickly for you to follow. What you were aware of were your own creative reveries in response to that information.