1 result for (book:tma AND heading:"session seventeen octob 15 1980" AND stemmed:what AND stemmed:realiti)

TMA Session Seventeen October 15, 1980 9/35 (26%) translating poetry playacting rational ancient
– The Magical Approach
– © 2011 Laurel Davies-Butts
– Session Seventeen: Jane’s Skill as Ancient as Man Is. The Species’ Multitudinous Abilities
– Session Seventeen October 15, 1980 8:55 P.M., Wednesday

[... 4 paragraphs ...]

(I’d just finished typing the last few pages for Monday night’s session, and I asked Jane what she thought of my final note: I’d speculated about any reincarnational connections that might tie her abilities to speak for Seth, without help of any modern kind, to the abilities ancient man had displayed, when, according to Seth, he’d been able to carry all of his history with him mentally. As ancient man had lived without the news media we’re so used to, so does Jane speak for Seth without all of that modern help. I hadn’t expected Seth to go into related material this evening.)

[... 3 paragraphs ...]

(Pause, one of many.) I choose my words quite carefully at times, because I realize the various interpretations that can be placed upon them. Perhaps the following explanation will express more clearly what I mean.

[... 4 paragraphs ...]

It was left to man to translate his inner information with a free hand. He is able to form many different kinds of cultures, for example. He puts his sciences and religions, his languages, together in multitudinous ways, but there must always be a translation of inner information outward to the world of sense. There still is. Man’s capacities have not dimmed in that regard. Thinking, for example, is as automatic as ever (amused). It is simply that your culture puts the various elements together in ways that stress the qualities of what you refer to as rational thinking.

[... 1 paragraph ...]

Poetry was an art and a science. It conveyed quite necessary information about man and the universe. The same can be said of many cave drawings. What you had — what you still have, though you are not nearly as aware of it — was an excellent give-and-take between the inner and outer senses. Through chanting, dancing, playacting, painting, story-telling, man spontaneously translated inner sense data into physical actualization. The physical senses only present you with clues as to your own sensitivities.

Ruburt translates what I give him without being consciously aware of receiving the material in usual terms, or of translating it. It has to be broken down, particularly to a time frame, and then into concepts that can take advantage of the world view that is held in your culture. Everything must be slanted to fit the viewpoint of creatures who believe most firmly in the superiority of matter over mind — who are immersed in a particular biological framework.

(9:27.) I cannot ignore those belief structures (intently) — or what I say would literally be incomprehensible. All of this is automatically taken care of.

[... 1 paragraph ...]

(Long pause at 9:35.) You know what sound is, yet as Ruburt knows, what you consider sound is only one of sound’s many spectrums. Beside translating inner images into paintings, for example, you may unknowingly be translating sensually invisible sounds into images. In a way quite impossible to describe, it would be true to say that our sessions actually translate multidimensional images into words. You have no words for the kinds of images I am speaking of, for they are not objects, nor pictures of objects, nor images of images, but instead the inner dimensions, each separate and glowing, but connected, prisms of knowledge, that have within themselves more reality than you can presently begin to imagine.

To a certain extent, I must travel from those realities into your comprehension, wrest myself free in order to form an ever-changing, ever-moving, ever-on-the-move entity that can speak here and be there at the same time. So I am distant and close at once. That distance from you also represents the reaches, however, of the human psyche, and the vast corridors of psychological activity from which it is formed, and from which your world emerges.

[... 6 paragraphs ...]

(9:56 P.M. “Boy, I was out with that,” Jane said. “That really hits me: you can tell you’re out there so far, with all of this energy, but you can’t go any further, you know what I mean? At the same time, it’s so simple… It was a different session in some way. My feelings are that I was different, although I don’t know about what different things you might get down. Right now I’m looking at the clock — and it seems that you were so far away that it seems I should take four hours to get back. Not that I had any sense of time in the session. …”

[... 6 paragraphs ...]

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