1 result for (book:tma AND heading:"session seventeen octob 15 1980" AND stemmed:move)
[... 9 paragraphs ...]
In the first place, as often mentioned lately, the reasoning mind is spontaneously fired. The species contains within itself all of the necessary spontaneous attributes that are necessary to form a civilization, for example. (Pause.) All of your reasoned activities — your governments, societies, arts, religions and sciences — are the physical realization, of course, of inner capacities, capacities that are inherent in man’s structure. Take your theaters’ moving picture dramas. These are the materialization in your time of man’s natural acting ability — a characteristic highly important in the behavior of the species.
[... 4 paragraphs ...]
When the species needs certain abilities, they rise to the fore, as in the case of Ruburt now. When you are painting pictures you are also translating inner knowledge. Early artists drew pictures to share the images they saw in their dreams. In a fashion they practiced dreaming in their sleep, and thus learned also to think (underlined) in terms of the measurement of physical images, and to move objects around in their minds before they did so physically.
[... 5 paragraphs ...]
To a certain extent, I must travel from those realities into your comprehension, wrest myself free in order to form an ever-changing, ever-moving, ever-on-the-move entity that can speak here and be there at the same time. So I am distant and close at once. That distance from you also represents the reaches, however, of the human psyche, and the vast corridors of psychological activity from which it is formed, and from which your world emerges.
[... 13 paragraphs ...]