“Seth material” search engine (Jane Roberts)

Ruburt translates what I give him without being consciously aware of receiving the material in usual terms, or of translating it. It has to be broken down, particularly to a time frame, and then into concepts that can take advantage of the world view that is held in your culture. Everything must be slanted to fit the viewpoint of creatures who believe most firmly in the superiority of matter over mind — who are immersed in a particular biological framework.

In the deepest of terms, the world always was and always will be. It changes its patterns of activity, it comes and goes, but it is always itself in its comings and goings. To me, that is exceedingly simple — but as far as your concepts are concerned, it can seem to imply irreconcilable complications.

Poetry was her first, childhood love, and it remained a powerful creative factor throughout her life. Indeed, in some of her earliest poetry we found concepts that Seth was to elaborate upon many years later. As Seth told us in 1979, Jane had been a poet all of the time, in its most profound meaning. She’d been letting If We Live Again grow for some time as she selected poems for it from the many she had written, and kept writing.