“Seth material” search engine (Jane Roberts)

The natural person is indeed the magical person, and you have both to some extent had very recent examples of such activity. You were, and are, trying to teach yourselves something. This is somewhat lengthy to unravel, but your behavior and experience, of course, is the result of your beliefs. Framework 2² has been a rather fascinating but mainly (underlined) hypothetical framework, in that neither of you have really been able to put it to any perceivable use in your terms. This is not to say it has not been operating. You have not had the kind of feedback, however, that you want.

Some of Ruburt’s notes that you have not seen have further important insights as to such activity. The main point is indeed the importance of accepting (underlined) a different kind of overall orientation — one that is indeed not any secondary adjunct, but a basic part of human nature. As your own and Ruburt’s notes state, Ruburt’s more clearly, this involves an entirely different relationship of the self you know with time. You can make your own connections here, as per Ruburt’s camera experience, and your own dreams of late.

(9:25.) When the projects were done, particularly with Ruburt, there was still the cultural belief that time should be so used (underlined), that creativity must be directed and disciplined to fall into the proper time slots. In other words, to some extent or another he tried to use an assembly-line kind of time for your creative productivity. This may work when manuscripts are being typed, and so much physical labor is involved, but overall you are using the “wrong” approach to time, particularly for any creative artist. This again applies particularly to Ruburt, though you are not exonerated in that regard (with some humor.

It certainly seems that the best way to get specific answers is to ask specific questions, and the rational mind thinks first of all of something like a list of questions. In that regard, Ruburt’s response before such a session is natural, and to an extent magical, because he knows that no matter what he has been taught, he must to some degree (underlined) forget the questions and the mood that accompanies them with one level of his consciousness, in order to create the proper kind of atmosphere at another level of consciousness — an atmosphere that allows the answers to come even though they may be presented in a different way than that expected by the rational mind.

What we will be discussing for several sessions, with your permission jointly — and, I hope, with your joint enthusiasm — will be the magical approach to reality, and to your private lives specifically, in order to create that kind of atmosphere in which the answers become experienced (underlined).

When Ruburt finished his project (God of Jane), he found himself with all of that time that was supposed to be used (underlined). He also became aware once again of his limitations, physically speaking: There was not much, it seemed, he could do but work, so he took the rational approach — and it says that to solve the problem you worry about it.