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TMA Session One August 6, 1980 4/59 (7%) rational assembly magical approach measurements
– The Magical Approach
– © 2011 Laurel Davies-Butts
– Session One: Assembly-Line Time Versus Natural, Creative Time. The Rational Mind Versus the Artistic Mind
– Session One August 6, 1980 8:48 P.M., Wednesday

[... 6 paragraphs ...]

The natural person is indeed the magical person, and you have both to some extent had very recent examples of such activity. You were, and are, trying to teach yourselves something. This is somewhat lengthy to unravel, but your behavior and experience, of course, is the result of your beliefs. Framework 22 has been a rather fascinating but mainly (underlined) hypothetical framework, in that neither of you have really been able to put it to any perceivable use in your terms. This is not to say it has not been operating. You have not had the kind of feedback, however, that you want.

[... 12 paragraphs ...]

You have not really, either of you, been ready to drastically alter your orientations, but you are approaching that threshold. As Ruburt’s notes also mention, the “magical approach” means that you actually change your methods of dealing with problems, achieving goals, and satisfying means. You change over to the methods of the natural person. They are indeed, then, a part of your private experience. They are not esoteric methods, but you must be convinced that they are the natural methods by which man is meant to handle his problems and approach his challenges.

[... 6 paragraphs ...]

Assembly-line time does not really value time — only as time can be used for definite prescribed purposes. In that framework, to enjoy time becomes a weakness or a vice, and both of you to some extent have so considered time. With creative people strongly gifted, as in your cases, the natural person is very prominent, no matter what you do. It therefore strongly resents any basically meaningless constraints placed about its experience. It knows, for example, how to enjoy each day, how to collect creative insights from each and every encounter, how to enrich itself physically through household chores or other activities. It dislikes being told that it must work thus and so at command of unreasonable restraints.

[... 10 paragraphs ...]

At the same time the natural person did emerge. Ruburt followed his impulses and interpreted your dreams — all of which led you both into fresh creative activity. But it was not work, you see. What he needed to do was really relax, not prove that he could or should or must immediately begin another book. True creativity comes from enjoying the moments, which then fulfill themselves, and a part of the creative process is indeed the art of relaxation, the letting go, for that triggers magical activity, and that is what Ruburt must learn.

[... 20 paragraphs ...]

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