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TMA Session One August 6, 1980 7/59 (12%) rational assembly magical approach measurements
– The Magical Approach
– © 2011 Laurel Davies-Butts
– Session One: Assembly-Line Time Versus Natural, Creative Time. The Rational Mind Versus the Artistic Mind
– Session One August 6, 1980 8:48 P.M., Wednesday

[... 8 paragraphs ...]

Some of Ruburt’s notes that you have not seen have further important insights as to such activity. The main point is indeed the importance of accepting (underlined) a different kind of overall orientation — one that is indeed not any secondary adjunct, but a basic part of human nature. As your own and Ruburt’s notes state, Ruburt’s more clearly, this involves an entirely different relationship of the self you know with time. You can make your own connections here, as per Ruburt’s camera experience, and your own dreams of late.

[... 10 paragraphs ...]

You have not really, either of you, been ready to drastically alter your orientations, but you are approaching that threshold. As Ruburt’s notes also mention, the “magical approach” means that you actually change your methods of dealing with problems, achieving goals, and satisfying means. You change over to the methods of the natural person. They are indeed, then, a part of your private experience. They are not esoteric methods, but you must be convinced that they are the natural methods by which man is meant to handle his problems and approach his challenges.

[... 5 paragraphs ...]

(9:39.) Trying to fit the great thrust of creativity into assembly-line time is in itself bound to lead to conflicts, dissatisfactions, and frustrations. If the proper creative and magical orientation is kept primarily in mind, other things will fall into place. You do not say to the creative self, “Now it is 7:30. People are at their assembly lines. I am at my desk: produce.”

[... 1 paragraph ...]

The natural person is anything but irrational. It gathers all of experience together and transforms it, so many of your problems have been caused by applying the wrong kind of orientation to your lives and activities.

[... 1 paragraph ...]

In other words, that entire framework is meant to give you a standardized, mass-produced version of reality. None of its concepts can (knocking the table) rationally be applied to creative endeavors. The orientation that gives you the creative achievement lies in the opposite direction.

[... 15 paragraphs ...]

The old beliefs, of course, and the rational approach, are everywhere reinforced, and so it does indeed have a great weight. The magical approach has far greater weight, if you use it and allow yourselves to operate in that fashion, for it has the weight of your basic natural orientation. The rational approach is the superimposed one. I think that you are both ready to understand that.

[... 3 paragraphs ...]

1. Seth is the “energy personality essence” Jane speaks for while in a trance or dissociated state. Since he calls Jane by the male-oriented name of her larger or whole self, “Ruburt,” it follows that Seth also calls her “he,” “his,” and “him.”

[... 8 paragraphs ...]

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