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TMA Session One August 6, 1980 4/59 (7%) rational assembly magical approach measurements
– The Magical Approach
– © 2011 Laurel Davies-Butts
– Session One: Assembly-Line Time Versus Natural, Creative Time. The Rational Mind Versus the Artistic Mind
– Session One August 6, 1980 8:48 P.M., Wednesday

[... 7 paragraphs ...]

When you were both intensely involved in your projects, just finished, you let much of your inner experience slide, relatively speaking. The two of you operating together, however, then came up with an idea — an important one — that allows you to interpret the Framework 2 material in your own ways. You had instant feedback — the interplay of a creative nature between the two of you involving your dreams and the camera,3 and so forth. You were each struck by the magical ease with which you seemed, certainly, to perceive and act upon information — information that you did not even realize you possessed.

[... 5 paragraphs ...]

Being your own natural and magical self when you dream, you utilize information that is outside of the time context experienced by the so-called rational mind. The creative abilities operate in the same fashion, appearing within consecutive time, but with the main work done outside of it entirely. When you finished your project,4 you had several days of feeling miserable, but you caught yourself and turned yourself around beautifully, and you have every right to congratulate yourself in that regard.

[... 22 paragraphs ...]

When Ruburt finished his project (God of Jane), he found himself with all of that time that was supposed to be used (underlined). He also became aware once again of his limitations, physically speaking: There was not much, it seemed, he could do but work, so he took the rational approach — and it says that to solve the problem you worry about it.

[... 19 paragraphs ...]

4. I had just finished typing the manuscript for Jane/Seth’s The Individual and the Nature of Mass Events, and Jane had just finished typing the manuscript for her own God of Jane. Prentice-Hall published both books.

[... 1 paragraph ...]

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