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TMA Session One August 6, 1980 10/59 (17%) rational assembly magical approach measurements
– The Magical Approach
– © 2011 Laurel Davies-Butts
– Session One: Assembly-Line Time Versus Natural, Creative Time. The Rational Mind Versus the Artistic Mind
– Session One August 6, 1980 8:48 P.M., Wednesday

[... 6 paragraphs ...]

The natural person is indeed the magical person, and you have both to some extent had very recent examples of such activity. You were, and are, trying to teach yourselves something. This is somewhat lengthy to unravel, but your behavior and experience, of course, is the result of your beliefs. Framework 22 has been a rather fascinating but mainly (underlined) hypothetical framework, in that neither of you have really been able to put it to any perceivable use in your terms. This is not to say it has not been operating. You have not had the kind of feedback, however, that you want.

When you were both intensely involved in your projects, just finished, you let much of your inner experience slide, relatively speaking. The two of you operating together, however, then came up with an idea — an important one — that allows you to interpret the Framework 2 material in your own ways. You had instant feedback — the interplay of a creative nature between the two of you involving your dreams and the camera,3 and so forth. You were each struck by the magical ease with which you seemed, certainly, to perceive and act upon information — information that you did not even realize you possessed.

[... 18 paragraphs ...]

Assembly-line time does not really value time — only as time can be used for definite prescribed purposes. In that framework, to enjoy time becomes a weakness or a vice, and both of you to some extent have so considered time. With creative people strongly gifted, as in your cases, the natural person is very prominent, no matter what you do. It therefore strongly resents any basically meaningless constraints placed about its experience. It knows, for example, how to enjoy each day, how to collect creative insights from each and every encounter, how to enrich itself physically through household chores or other activities. It dislikes being told that it must work thus and so at command of unreasonable restraints.

[... 1 paragraph ...]

I say wrong, meaning no moral judgment, but the application of one method to a pursuit that cannot be adequately expressed in such a fashion. The assembly-line time and the beliefs that go along with it have given you many benefits as a society, but it should not be forgotten that the entire framework was initially set up to cut down on impulses, creative thought, or any other activities that would lead to anything but the mindless repetition of one act after another (intently).

In other words, that entire framework is meant to give you a standardized, mass-produced version of reality. None of its concepts can (knocking the table) rationally be applied to creative endeavors. The orientation that gives you the creative achievement lies in the opposite direction.

[... 8 paragraphs ...]

I will have quite a bit to say, again, about the magical approach, and I do think the term will help each of you bring Framework 2 far more into your experience. As far as Ruburt’s present situation, he should not wear, say, one pair of jeans for a week, but instead alternate, with two or three pairs that can be worn of course many times.

[... 11 paragraphs ...]

2. It’s true, following the enthusiasm we felt when Seth first described Frameworks 1 and 2 three years ago, that Jane and I haven’t consistently tried all that hard to draw from that overall concept the results we think we consciously want.

In Mass Events, Seth speaks often about Frameworks 1 and 2. From my opening notes for Session 814, which Jane held on October 8, 1977 for that book:

“Then, in a private session held on the evening of September 17, 1977, Seth came through with a very exciting concept called ‘Framework 1 and Framework 2.’ Jane and I were so struck by the practical, far-reaching implications of this proposition that we began a concerted effort to put it to use in daily life. Briefly and very simply, Seth maintains that Framework 2, or inner reality, contains the creative source from which we form all events, and that by the proper focusing of attention we can draw from that vast subjective medium everything we need for a constructive, positive life in Framework 1, or physical reality.”

[... 1 paragraph ...]

“Any event, therefore, has an invisible thickness, a multidimensional basis. Your skies are filled with breezes, currents, clouds, sunlight, dust particles and so forth. The sky vaults above the entire planet. The invisible [vault of] Framework 2 contains endless patterns that change as, say, clouds do — that mix and merge to form your psychological climate. Thoughts have what we will for now term electromagnetic properties. In those terms your thoughts mix and match with others in Framework 2, creating mass patterns that form the overall psychological basis behind world events. Again, however, Framework 2 is not neutral, but automatically inclined toward what we will here term good or constructive developments. It is a growth medium. Constructive or ‘positive’ feelings or thoughts are more easily materialized than ‘negative’ ones because they are in keeping with Framework 2’s characteristics.”

[... 3 paragraphs ...]

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